I've watched ENGLISH PATIENT many times, and recently I started to organize the script and memorize the script.
For a long time, I have been deeply impressed by the two shots of Asan. One is the flashing lights along the way, gradually unfolding, HANA is chasing after a jump with a shell, towards happiness. The second, of course, is to open the sparkling fire, rippling in the air, and the firelight reflects the exquisite murals on the wall, which is extremely happy. Heh, I think if I were a woman, such a man would definitely fall in love, it's really too romantic.
For the love of the hero and heroine, the topic is too heavy to write well, I really want to avoid it. Ruoshui 3,000 only take a scoop to drink, but they have never met such a person who is so compatible with fate. I really met, and it doesn't even matter about ethics or country. Although it is out of the ordinary, it is also a way of great love. I have accepted too much brainwashing that the collective interests of the country are above everything else, but it is a good idea to show such exquisite and soul-stirring love in a literary film.
Talented, withdrawn, arrogant, self-disciplined, indifferent, initial character, but nothing can stop the depth of love. Reject the other party's hand-painted drawings, but write the other party in the history book that you will carry forever, kindly and redundantly remind your friends not to leave your wife alone in the desolate desert, call the other party MRS CLIFTON coldly, get your backpack back, and work hard Escape from the indescribable nature of attraction and mutual admiration, but all are useless. Love still breaks through all the cold, dark, and suffocating land, bursts out toward the sun, and pulls out fresh green leaves. What followed was endless ethical condemnation, inexplicable jealousy and irritability that had to be possessed but could not be possessed by a strong beloved emotion, and the embarrassing situation of a friend's wife, where to go, and no way to fix it. But love still continues, showing strong stems and branches, spreading and developing. Deformed love contains flames, and tragedy is only a matter of time. Clifton charged Katharine towards Almasy, where they both perished. (Here I despise all those who think the plane crashed, no one speaks for CLIFTON's love, but seeing the disappointed eyes of CLIFTON holding flowers on the wedding anniversary, and the look in his eyes when he skillfully flew the plane to ALMASY, he knew his heart. What a pain in the depths. How could it not be intentional to perish together). The film did not end, however, CLIFTON escaped the disaster, holding KATHARINE, who was so white and seriously injured, walking with difficulty, and his heart was like a knife. DATHARINE made it easy to say I HAVE ALWAYS LOVED YOU. It was earth-shattering. Love doesn't need words, it's useless to know multiple languages, it doesn't need to be decorated, it doesn't need scenes, but it is heart-wrenching and life-threatening. In the end, K died peacefully in the cave. CLIFTON came back after setbacks, holding K, as K wrote when he was dying, I know you will come back, my love, you will come back to carry me out of the cave and step into the palace of the wind. This is my only wish, ALMASY trembled in the wind and cried mournfully. The best love, the great love, is like the candlelight disillusioned, and everything loses its meaning. The country, life, and victory are all empty shadows. ALMASY, love is dead, heart is dead, leaving the body alone, soon, tossing down a pile of morphine, seeking stability, looking at Hana, and then following K away.
Beloved, earth-shattering, weeping ghosts and gods. THE ENGLISH PATIENT, which delicately depicts the deep love in the heart, is a great work.
Thank you Anthony Minghella for making love so earth-shattering and heart-wrenching. It's not the amazing investment, or the entanglement of fame, but the delicately narrated scenes, the plot twists and turns, the majestic scenes, and the bewildering eyes.
Great director, great movie.
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