A farce in extravagant court life

Keyon 2022-04-21 09:01:43

The first impression the film gave me was the gorgeous and exquisite scenes and costumes, each of which was carefully designed, luxurious and elegant, and pleasing to the eye. The palace is large but not overly furnished, and fisheye lenses and wide-angle lenses are often used, giving a sense of closure and captivity, as if Queen Anne was in power but was imprisoned here.

At the time of the war, the people's life was bleak, but the life of the nobles in the palace was very extravagant. Harry ridiculed that the Whig duck race was boring and childish, while his Tories made fun of throwing oranges at naked men. The absurd behavior of the nobles was quite ironic.

The main story line of the film is the various games between Sarah and Abigail to win the favor of Queen Anne. Under Sarah's care, Annie's room is neat and orderly, and she eats healthy food. She can control her bad desires, and she will directly speak out about Annie's bad feelings; and when Abigail takes care of Annie , The room becomes messy, when Anne wants to eat chocolate that is not good for her health, Abigail will let her eat it, Abigail will indulge Queen Anne's desire, and she will always flatter her. One of the two of them is loyal, and the other is to do what they like. For the willful and childish Annie, she definitely prefers the latter. You can also see that with Abigail's care for her, Annie is getting weaker and weaker. From the delicate makeup at the beginning to the pale complexion at the back, the messy hair, from wanting to drink hot chocolate but restraining myself to indulging myself and gulps the cake, then holding the bucket to vomit, and then eating after vomiting, it can be explained that Abby Gaia wasn't really nice to her.

The animals mentioned in the film also allude to the relationship between the three of them. The dove symbolizes Queen Anne, and Sarah and Abigail's hunting of pigeons symbolizes the two competing for favor. At first, Abigail was not good at it, but in the end, the score had overtaken Sarah, and Sarah was splattered with blood. The rabbit, symbolizing Abigail, is kept in a cage at first, then begins to be released, and finally moves freely around the room.

The film ends as if Abigail won the game, but it doesn't, when Annie finds out that Abigail is abusing her rabbit, she abuses her in the same way, showing that Abigail doesn't. If she wins, she is still just a toy of Annie. The real power is still in Annie's hands, and Annie has changed from an attitude of having nothing to do with the regime and just wanting to have fun, to participating in politics herself. In the end, no one was the real winner in the competition between the two women, it was just a farce.

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Extended Reading
  • Elza 2021-11-25 08:01:27

    This is the first time that Greek director Ougs Lansmos has filmed a script written by someone else in recent years. The script lacks his weird worldview. It feels that this time it is time to really test the director's ability and who is an iron fan. Although I watched a DVDscr of premature ejaculation during the awards season, I can still feel the gorgeous and exquisite scene. Lansmos once again showed the potential of Kubrick's brain-remnant fans. This time I learned [Barry Linden] and used candles to beat the British nobles. The photos are very beautiful. In addition, he used those fisheye lenses to fit the deformed and distorted relationship between the characters in the palace, and at the same time pave the way for the tragic ending of everyone leaving Queen Anne, and used the soundtrack and editing to reshape the rhythm of the movie. The movie is very pleasing to the eye. It’s just that the tricks of women’s palace fights are brought to Chinese audiences who are accustomed to watching palace fights at 8 o’clock. There is really nothing to see. Fortunately, the performances of the three actresses are very attractive, and the director’s style is very eye-catching. From a perspective, this is much more fun than a TV series that can only watch stories.

  • Nakia 2022-03-23 09:01:38

    I felt a bit Barry Lyndon for the first 30 minutes, but when the BGM sounded sarabande, I was completely convinced that it was. It should be said that the director has mastered the theology of Ku, but he still hasn't learned the 'bones'. What supports Barry Lyndon's story is a rich description of the social class conditions of the characters, the protagonist's ups and downs shaping his personality and ideas, revealing the tragic fate of opportunists from the paradox of means and ends. But this film is really just a court drama. The class of the role of Sister Stone is only an introductory existence of the character background rather than part of the narrative. In a given 'smart woman' setting, the audience has to rely on too many stories It's hard to empathize with the characters if her outside imagination makes up for her motives. However, as far as the limited power play is concerned, the contrast between the personalities and acting styles of the two heroines is well done, and the delicacy in presentation is enough to overshadow the mediocrity of the core of the story. The whip pan catalyzes the narrative rhythm, and the special character ego is shot from a low angle. The fisheye lens is a bit confusing; the art finger and soundtrack are indispensable to the successful imitation of Barry Lyndon; three women are a good show

The Favourite quotes

  • Lady Sarah: If you offer me tea, you will forgive me if I don't accept.

  • Abigail: [referring to the filth she fell into that's all over her clothes and face] This mud stinks.

    Sally: They shit in the streets around here. Political commentary they call it.