Good narratives and individual emotional experiences project each other. Doctor Strange's Melrose and Iron Man's The Judge. Both are ethical narrative films on the subject of father and son. The former completes self-redemption in the continuous collapse, and the latter reconciles with each other in the continuous deepening of the past. If The Judge had the time for Melrose's five-act play, it could probably stretch the emotional tension of the characters, dramatic conflict, and emotional tension more abundantly, but the 150-minute compactness also has its benefits: it adds a layer of complexity to the latter. Subtle beauty. The director's control of the rhythm was given 8 points. The overall viewing experience, how should I put it, is like walking into a continuous gloomy and heavy fog and rain in late spring.
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