1. When good movies meet, they just deepen their self-understanding or meet a new self. 2. Coincidentally, there is a Charles who lives in new york in "Marriage Story", just as the screenwriter Charles who lives in new york met Aunt May of new york. 3. I like the film Charles, because I think of myself, just like my attitude towards the two films It is easy to see through any routines, first learn to be moved Kill yourself by the way, or kill him after you've used him, to become a new self, or a guy who has stopped moving forward, or someone who has imagined countless setbacks and rescues to achieve this, sweating all over. A bald man, looking for strength from YY, can only write about himself, because only writing about himself is the best, lonely bastard, friends are all imaginary, living in nothingness, in the ordinary muffin coffee life, and he It's so ordinary, there's no story to write, a little bit of inspiration will shatter your own celestial cover, and there is only one way to be happy. The only way to be out of place, patheTic 7. The biggest tribute to Robert McKee is to say goodbye to Mr. McKee 8. So, when I said other film reviews on tmd, my understanding was that the younger brother is another personality, just Same concept as cops and thieves. From the time Charlie decided to write himself into the script, the plot was already in the process of being adapted. What's more interesting is that this is a script in itself, and who else is the best person to play this script besides Nicolas La Cage, who has deep and beautiful eyes? Therefore, Aunt Mei and Charlie are both deep-seated colors in their bones. They want to break free, but they can't change, and they are even afraid of changing. Aunt Mei has a supporter, and Cage has his own younger brother. What they do best is to imagine things that cannot be changed and put them in their own dictionary. 10. The soul of this movie is, love what you love, regardless of what other people think. But also, the most tragic. Because, isn't this the scriptwriter's manifesto? Isn't the final declaration a way of recognizing one's own pathetic and then embracing him? I love you as a person, I write you as a person, does it have anything to do with who you are mine? As if to say, yeah, I'm powerless to change, but isn't that me? A screenwriter personality whose destiny is in the screenwriter's bones.
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