The character is the story + background introduction of the first three seasons

Heath 2022-07-27 16:54:48

Forgive me, I don’t watch much animation. The Last Chizong is not one of the best TV animations I have ever watched. Although its style of painting seems simple and only has three seasons, it embodies the ingenious intentions and sincerity of the creators everywhere, and the action is enough to throw a few streets out of ordinary TV animation. Therefore, as a children's animation, this drama is as high as 9 points on IMDB! It's not an exaggeration to call it a textbook template. ----------------If you haven't seen the last Qizong, the following is an introduction to the background setting of the series------------- The world is divided into four tribes according to qi, fire, water and soil. In each tribe, some people have the talents of imperial arts. After learning and training, they can (and can only) master one of their own imperial arts. Avatar is the incarnation of the gods who reincarnated in the four tribes in turn. When one hangs one, they are reincarnated and born in another tribe. Kola is the reincarnation of the previous protagonist Anang (the statue that occupies an island at the beginning of Kola) , Only the avatar can master the four elements, talk to the spirit of the previous life, and enter the state of supernatural powers. The main characters include the Qizong supernatural power Anang, the brothers and sisters of the aqua clan Katara and Soka, the fiery king Zuke and his uncle Ailuo, and the blind Lori Beitofu from the powerful land. . . Qihe tribes are distributed in Qihe temples all over the world. When An Ang was frozen for a hundred years and awakened, the Qi sect had been completely wiped out by Huo Lie Nation, so An was the "last Qi sect" at that time. Yuqi Shu is the movement of Baguaquan, emphasizing spiritual freedom and incompetence. The blue arrow on the head of Tenzin and An is the symbol of Master Qizong. The Shuishan tribes are distributed in the North and South Pole. Among them, the Antarctic tribe has basically disappeared. Katara (the old lady who was onlookers during the fire test in the first episode of Kola...) was almost the last Antarctic water sect at that time. The water imperial technique comes from Tai Chi, which can control water and ice. Among them, the two people of the Antarctic Water Sect developed the most BT imperial blood technique at the full moon. Katara is now known to be alive. Powerful native countries occupy major continents, and both the clothing and the brainwashing policies are similar to those of the Qing Dynasty. Yutushu is based on the Hongjiaquan, with great strength. The wild pseudo-loli·Northern Topf developed the skills of using the Yushu to perceive the environment, and pioneered the Yujinshu, which has become the world of Kola. Standard equipment for uncle police. Beilin Lin used her feet to perceive the underground environment in the seventh episode, which is Toph's representative skill. The capital of the flaming country occupies a large island, and there are colonies all over the world. The Republic City was transformed from the colony of the flaming country in the powerful country. The steam technology has always been relatively developed. The action of imperial fire is based on North Shaolin boxing, which is very aggressive. Among the more special ones are the primitive fire fighting technique, lightning and the "lightning easy path" invented by Emperor Ai Luo. Fire King Zuke has retired in Wandering Around the Sifang (the statue of Yuhuo in the center of the square in the second episode of Kola is Zucker) The voice of Elo II in the Kola legend is Zucker’s dubbing. Finally, Kola The legendary statue of the uncle at the entrance of the Cabbage Group is a tragic figure that runs through the entire three seasons in the last Qi Zong. Wherever he sells cabbage, he will be smashed by the magical gang ------------ -----------Evaluation of the first three seasons: Characters are the story----------------------- The following is a compliment to the last Qizong, This series maintains the brisk and smooth characteristics of children's films. The plot point is simple and easy, but the older audience will also fall in love with it. Unlike some TV animations, like online games, where good characters and worldviews are shaped like an infinite loop and upgrade, the supernatural power series absolutely does not have this problem. When the character creation is truly complete, the story is over. It can be said that it is rare and true. The TV animation in which the characters are the stories is the same as the Hollywood three-stage movies. Most of the episodes in the entire three seasons are a single story, but almost every single episode further shapes the characters while advancing the plot. Throughout the three seasons, you can see the development of the characters and the gradual revealing of the past, the advancement of the plot and the construction of the world view are gradually carried out, which will take you bit by bit into every aspect of the story. The characters of the pros and the villains have gradually shaped their personalities and history (except for the boss of the fire king...) The most exaggerated thing is that at the end of the third season, the characters are constantly being shaped and the past is revealed. I have to admire the creative ideas and temperance. . After seeing the general hot-blooded animation of the island country, you are not interested in watching it anymore, but when you see the last few episodes of the third season of Avatar, such a relaxed children's drama has almost an epic ending. temperament. why? I think the main reasons are: 1. The plot of the finale is the final resolution of the main contradiction that the whole story has been set as the background of the worldview from the beginning. 2. At the same time, it is also the final resolution and confrontation of the fate of the characters. For example, Zucker finally faces the problem of the ultimate identity of Azura and himself, and Ann finally has to fight against the King of Fire and solve the ultimate belief problem of killing or not killing, Uncle Ai Luo To recapture the Everlasting City that once lost his beloved son from the Huo Lie Nation, Soka has to fight against the ultimate contradiction of the airship group that he invented but was used for aggression. 3. The setting of the scene has reached the maximum in the series. The previous action frames are enough to kill most of the TV animations of an island country that rely on editing and sound and light special effects to flicker the past. The last few episodes can actually be higher, faster and stronger! ! ! The powerful Fire King had a red-blue duel between Ann, Zuke and Azura in the supernatural power mode. All the masters attacked the Everlasting City together, and it was spectacular to think about it. Almost all the characters on the stage have done a good job in the last few episodes. When a TV animation is able to tell stories like Avatar, I think it can be used as a model to enter the teaching material for future analysis and research. If the producer does not have the attitude of taking the whole story as an overall planning arrangement from the beginning, it is impossible to complete such a model work. What's more, its motion design is so authentic and the number of frames is so outrageous. What's more, its background setting is so careful that its thoughts and costumes can correspond to certain dynasties of the heavenly dynasty. Moreover, its character creation is so successful. Needless to say, Zucker and Ann’s setting of mutual assistance when they are in danger is really passionate about loving each other and killing each other! ! ! -----------------------------------The following is the text of the cheating --------- --------------------- Although the last two episodes of The Legend of Korra are not as expected, the overall season is still very exciting, and the picture quality is almost except for the great The series outside the finale is the highest. The dissatisfaction caused by the comparison with the previous work is understandable, but originally it is quite different from the previous work in terms of rhythm, style, and age of the audience. The main difference between the Avatar and the Legend of Kola is that Kola's rhythm is super fast. Some people feel that the characters in the previous work are full of fun, and naturally they also feel that this work is full of ups and downs. The last two episodes were a bit disappointing for me personally, but it was because the laying was too big but there was not enough time to finish, and the action against the Imperial Blood Master was far less attractive than the Imperial Battle. However, at the end, it is still very effective to explode magical powers under the theme of the soundtrack of the previous work. In the first season, the screenwriter successfully created a huge suspense that is difficult to guess and is closely related to the characters of the main plot, and it is well explained in the last two episodes. It is not obtrusive or as difficult to justify as in some dramas. The identity of Amon is very reasonable from the previous foreshadowing, and his identity is also the solution to the biggest contradiction of the season. It's just that the time limit for such a huge and complex story is limited to 12 episodes, which leads to the problem of too fast rhythm and not detailed description. As for the unresolved problems, there is still a second season anyway, and it's not the finale in a hurry! ! PS: Where did Zucker go? This question will be answered in the upcoming "Available Magic: SEARCH" comic.

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