Soldiers, three unlucky guys, bad generals -- three scapegoats nested in layers of golden script structure, coupled with Kubrick's genius "combination of stage and realism" narrative, it's a mess, and from this one I completely A taste of Kubrick's genius!
In fact, neither of them is wrong. This is an in-depth contest between realists and idealists. The script makes this duel extremely in-depth. The script is set to perfection, a textbook level example. Black ending, an elegy for idealists.
Kubrick's focus on the non-dramatic point, feels that the point of force is different from normal drama, like the different emphasis on the song "Enlightenment", which produces a kind of stage and realism. The extraordinary pleasure of cum.
The plots of French films made by Americans are smooth and natural, easy to understand, and almost free of dramatic cost. The French film is very difficult to understand, and it feels that it is not a product of human civilization.
The most important dramatic plots are skipped, and the results are only shown from the side, while Kubrick gives a large amount of detail to the details that are not shown. This is his artistic feature.
The battlefield that should be the most themed actually only appeared for ten minutes as a foreshadowing. This is a perfect example of telling a story through the shell of a genre film.
You are an idealist, and I pity you as if I pity a country idiot.
notes:
Kubrick used a portable camera to film the subjective point of view of Dax patrolling in the trenches, allowing the audience to feel the chilling atmosphere of the trenches again.
I've been ashamed of being a human being several times, and this will be once.
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