The selection of the actors is really good, and the appearance alone already makes people feel immersed in the brotherhood. In the whole film, Wes Anderson's sense of moisturizing and silent narrative, interspersed with contrasting jokes, looks very comfortable.
It is said that road movies usually set an emotional explosion point at the end, making the protagonists fight, cry, and make a scene, but Wes Anderson just took off the gauze from the beginning to the end of the eldest brother, and the two younger brothers were silent for a moment. , which was handled very restrained in a few shots, but it has already rendered the emotions into three parts. At the end of the Grand Budapest Hotel, the effect of Gustav's warning to the officer was the same.
In the film, the eldest brother asked, if we were not brothers, would our relationship be better, the younger brother said yes, at least better than now.
In fact, this is the blindfold we show in front of our family. Yes, maybe our relationship would be better if we weren't brothers, but just because we are brothers, no matter how much you hate me, I can't let go of you.
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