I have been watching Wes Anderson's films for several days. I like every one of them. The director has a very distinct personal style. I enjoy the visual and auditory experience. No matter it is the process of watching or after watching it, there is a faint feeling in my heart. Joy and happiness, and therefore, Wes Anderson has also become one of my favorite directors.
Cross Darjeeling doesn't give a high rating, but I still give it full marks. The color matching uses my three favorite colors, red, yellow and green, retro and warm, especially the director's favorite yellow is everywhere, every frame has yellow, or bright or light, bright as the third child. The clothes, the father's suitcase, as light as the earth and everyone's face, make people feel warm and healing; the soundtrack is just right, both exotic and retro, both stepping and lyrical, especially the last song, Champs Elysees, with the classic yellow subtitles, and the faces of the three brothers who looked at each other and smiled after running, as if all worries were thrown away, the world is like this, whether it is complicated or lonely, but in the end, we will all laugh to reconcile with the world. What doesn't change is the childishness. The three brothers are like little children. They fight whenever they disagree, and they talk about keeping secrets, and they are jealous over which child their father likes the most. From time to time a little humor, the boss went to the shoeshine and the child took away a shoe worth a thousand yuan, so he had to wear the cloth shoes bought by the second child; the boss said that the assistant had leukemia, and the assistant turned his head and quit; Snake, was driven out of the car by the waiter.
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