In Supplement Anderson's play, He Yuan's favorite director's composition and color are first-class, and there is never a shortage of color directors. I really want the third yellow bathrobe, look good. In terms of narrative structure, the rhythm of the film is very fast. It starts with a taxi. The result is very interesting. The person in the car is not the protagonist. But on the whole, I feel that the story is not clear, and it is a bit blunt from the sublimation of the three brothers' flesh-and-blood love story to the discussion of life and death. In terms of character analysis, the eldest brother always thinks about taking care of everything, and thinks that after his father's death, he should shoulder the responsibility of the family. So he organized this trip, hoping to mend the relationship between the three brothers. There is a sentence in it that impressed me very much, "Jack Whitman: I wonder if the three of us would've been friends in real life. Not as brothers, but as people." Jack Whitman: I wonder if the three of us would've been friends in real life. Not as brothers, but as people. Will they actually be friends in the real world, not as brothers, but as three strangers. Because of family affection, fate, these three people with very different personalities are bound together. Both the second child and the third child want to break free from the shackles of family affection. So they don't want to put their passports on the boss's body. The boss's words: "This is dad's xxx, how can it be here with you!" The last three witnessed the passing of a life before their eyes, and also saw a kind of respect for life by Indians. Cherish the moment.
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