The lens language angle is an ordinary commercial film. Hollywood actually likes to use panning in mastershots, it's pretty cool. One of the better designed shots is the heroine's girlfriend appearing, just as the detective and him walked to the door frame at the same time, and right between them, a graceful woman walked down the stairs slowly, without details. This time, instead of a close-up of the woman's face, it turned to the detective and his colleagues, two seconds longer than the usual reaction shots, and then cut to roxy. People are all because this is the heroine, not yet, she said that the heroine does not live here, I am her friend. This paragraph gives people a feeling of being played, and adds to the mystery of the heroine.
Plus, the homage to Psycho's soundtrack and bathroom shots are a plus.
Let's talk about the plot. The reversal design is good, and the suspense string does not fall until the last moment of the movie - yes, the heroine is the killer, but she is so smart that she can blame all the crimes on her lover Beth. Why is it a lover, how to frame the blame, let's talk about this when there is time. In the film, three images of femme fatale in traditional movies are designed, which mirror each other and supplement each other. The three kinds of beauty are like three different flowers, each with its own characteristics.
But the character of the male protagonist is a bit broken - the opening is so clever, at least he thinks he will be on par with the heroine, but he turned into a fool when he got into bed. And after Douglas's appearance is not very online, it really feels like a toad eating swan meat, especially after the first night of 419, when we met on the beach.
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