Because of the fixed movie-watching habits, all changes in progress may become space for thinking, and the unpopular but most sensible ending makes people return to the same system of this kind of film. The greatest charm of the film lies in its intuitive and rich presentation of this system.
Of course, the high-quality actors in the film of that era, a neglected master director, and the multi-level analysis of the accepted jazz soundtrack is also worthy of a big book.
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