"Dangerous Love Hourly", the double track of danger and emotion

Freddy 2022-04-19 09:01:34

Adapting a film theme based on a true story has become commonplace. Many times, directors with different styles will use colorful art brushes to paint a movie to indirectly restore a story that happened in real life. Not to mention whether this kind of production method can impress people, but the most basic thing is to give people a strong sense of reality, so that people can understand and ponder the inside of the story from the perspective of artistic appreciation, which will naturally come true. Touch moviegoers. The film "Dangerous Love Hour" followed this production process, and film director Tony Scott's ability to design a fast-paced, high-strength style gave the film a denser excitement from the beginning. feel. The tension that gradually expands balances the overall plot, so that the rhythm of the film's plot development is orderly and not chaotic. At the same time, with the tense rescue as the main line and the warm feelings as the auxiliary line, it has laid a stable double track for the development of the plot, showing us an industrial accident rescue with a strong sense of art.

Of course, the story of the film is still based on the idea of ​​rendering heroism. However, compared with the general focus on promoting personal heroism, this "Dangerous Love Hour" is more of a very realistic shock to everyone, rather than a fake big scene to win people's applause. . First of all, as mentioned earlier, this film is based on a true story, which gives the story of the film a strong authenticity, and thus brings a strong affinity to everyone. Of course, this affinity is not entirely due to the truth of the story. In many cases, the genre of the film itself is also an important factor, and disaster films and emotional films are obviously more able to shake people's ideas. Secondly, because of the guarantee of investment, it is obvious that the producer seems to be at ease in the design scene. The scene design in the movie is extremely realistic, whether it is the speeding train on the railway or the tense rescue scene, it gives people a more real thrill. At the same time, the scene design does not appear to be out of control, and the balance of the storyline should be more in line with reasonable imagination. Obviously, the film does not give many exaggerated blasting scenes. This is also quite different from the general design that only cares about rendering feelings and does not consider reasonable and reasonable designs.

The emotional drama is laid out concisely at the beginning, and then it directly cuts to the theme, which gives a simple but clear beginning, and at the same time does not show procrastination in the plot. It has laid a solid foundation for the future development of the plot. In terms of the development of the plot, the film follows the two-track track very well, focusing on tense and dangerous rescue as the main line, and at the same time interspersed with emotional scenes. This way of arranging the plot is really clever. When the emergency plot is laid out intensively and makes people tense and appreciate it, the camera is cleverly switched to the emotional scene, so that the tension can be relieved and it also gives people a warm feeling. Especially in the climax of the story, it makes people experience a blend of excitement and emotion.

The dialogue between the two protagonists on the train obviously played a crucial role in promoting the development of the plot. At the same time, the dialogue of characters also skillfully connects the intense development of the main line plot with the emotionally stretched auxiliary lines. So that the overall plot will not expand, and balance the development of the overall plot. The dialogues of the characters also clearly reflect the inner thoughts of the characters, especially the dialogues established by the conversations not only let people see the inner thoughts of the characters, but also constantly reveal the reflections of different people. human nature. The composure of the two male protagonists shows the calmness of charity and the courage of youth. And the female commander showed a very obvious sense of reason and courage. It can be said that the plot of the film seems to be a relatively simple design of laying techniques, but in essence, the multi-element inner surface slowly emerges with the development of the plot.

Although it is said that the final end of a film like "Dangerous Love Hour" is already a successful rescue as expected. However, it is obvious that the whole process brings a greater impact on the perspective and auditory. At the same time, the realism of the picture is not illusory, and the emotional restraint of the audience is not reluctant, and there are many places that touch people. The rhythm in the second half of the film is particularly well-controlled, making the development of the plot not a bit far-fetched, making people nervous while watching the film, but also stretching their nerves. The orderly arrangement of the plot adds to the emotions of the characters. . At the same time, the thrilling and exciting picture sense is designed to be more realistic, and the characters are full of love and drama. Finally, the same concise ending complements the beginning of the film, giving people a sense of completeness from the perspective of appreciation. The film "Dangerous Love Hourly" shaped art and made itself.

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Extended Reading
  • Dashawn 2021-10-22 14:41:34

    The subtitles of Mega Studios are very intimate "please bring your phone, wallet and boyfriend"......囧.

  • Kirk 2022-03-23 09:01:33

    1114@Sanlitun Meijia VS Flower, not bad, man power said

Unstoppable quotes

  • Oscar Galvin: I am not jeopardizing more personnel and more property just because some engineer wants to play *hero*! End of discussion! That train is our property. It's our decision! Now you stop your pursuit or I will fire you!

    Frank: [chuckles] Fire... You already did.

    Oscar Galvin: Already did what?

    Frank: You've already fired me. I received my 90-day notice in the mail... 72 days ago. Forced early retirement, half benefits.

    Oscar Galvin: So you're gonna risk your life for us with three weeks left.

    Frank: Not for you. I'm not doing it for you.

  • Connie: How's Will?

    Frank: He's, ah... He's different. Over.