The greatest sexy lady of all time is a dream floating high above the crescent moon, both true and illusion, out of reach.
Fortunately, [A week with Marilyn] did not try to take off this dream, but for this gorgeous dream, the glamorous coat faded, revealing the core of sadness.
Sadness, it sounds like it has nothing to do with Monroe. On the big screen, she always has red lips slightly open, her eyes are misty, and she uses a fragrant mole to interpret the tens of thousands of amorous feelings that she wants to talk about.
Those who want to see extravagant beauties may be disappointed. The heroine of the film, Michelle Williams, has a recognized flaw in appearance-her too gentle and innocent face is more suitable for the role of a forbearing wife. How can she restore the grace of a goddess? The script and Michelle's acting skillfully avoided this point, focusing more on the unknown pain of Monroe behind the glitz.
Regardless of the halo, Marilyn portrayed in this film is just a girl with a feminine appearance. Through the hot gaze of the actor, she bit her lip, blinking playfully, and a slender jade pointed at the corner of her lips, graceful and graceful. These childish little movements perfectly blend with Monroe's own feminine charm. She is dancing and singing in a white dress, like a jelly filled with springs, unaware of her own infinite charm.
Not only the appearance, but Monroe is in a vanity fair, but her heart is never contaminated with the world, and she is always full of uncertainty and low self-esteem. Lawrence Oliver thought that working with Marilyn would bring him back to his youth. Vivien was jealous of her beauty. The acting director and agent insisted that she was a great actor. She was sitting on the stairs holding the script and crying helplessly, like a lost child, in exchange for her husband's cold words.
They all portrayed Monroe as the myth of Fanghua in their hearts, but no one let Monroe be her own.
It is reminiscent of Monroe’s famous tear-free complaint: "What is good about being Marilyn Monroe? Why can't I be an ordinary woman? A woman who has a family and her own baby."
Monroe at this time It is already obvious that he would choose to be close to the obscure actor. It doesn't really matter who this person is as long as she can be unscrupulous.
She evaded her agent and sneaked out with her little assistant who admired herself, and had fun in the afternoon full of sunlight. This was their temporary paradise. Marilyn could forget the trouble-prone set and her respectful husband.
As for why Monroe was like this, the film did not give a positive answer, but in the library drama, Monroe's admiration for books and family dreams were used, reflecting the incompleteness of her childhood, making Monroe in a state of suffering for a long time. On the other hand, because of her low cultural background, she has to face the inferiority mentality of the old actors, so she relies on someone to help her filming at all times. Someone once ridiculed Monroe's breasts that her intelligence was only in an embryonic state. Monroe said helplessly and bitterly that I had to look up the word embryo in the dictionary.
Michelle Williams’ performance is undoubtedly extremely delicate. Yan Yanjian dumped all beings with a smile. She cried with you and cried with her. If she laughs, you want her to laugh longer. People and drama are one.
In addition to Monroe, the various characters in the play (except for the catastrophic Vivien Leigh) are also quite appropriate. One of the most top-notch is Kenneth Branagh, who plays Oliver, who perfectly restores the actor's demeanor during his lifetime. The two young actors Eddie Redmayne and Emma Watson have made extraordinary progress compared to their previous performance experience.
That boy and Monroe, in just a week, was worth the rest of his life on the pilgrimage.
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