this. . . The opening narration is really entertaining.
It's too fast to cut like a mv. . . It feels like a graduate student of film majors. The rhythm was so tense at the beginning.
The heroine in the night light is so beautiful.
The experimental images and narratives are still refreshing even two decades later.
It turned out that it was the director of perfume, a talented person who wrote, directs and composes all in one person.
The so-called free will and in fact there is no free choice.
However, it seems that it is too eager to point out the main theme and determine the narrative style, which makes it seem long-winded and clever. In fact, it is only a little uncomfortable at the beginning. It's an early work after all.
Of course, that still can't hide the talent that spews out of every pore.
It's not hard to imagine what kind of impact it will have on later filmmakers.
It's good-looking, and it is also very worth watching as a landmark work in film history.
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