I have to say that some of the plots are really weird, like the old man in the title sequence, and then why does the old man say that to his wife before the murder? Why did you do so much research on the little handsome guy? The handsome guy knew that he could no longer go to the hospital, so what did he ask for from the judge? Could it be that these plots are purely rendering the atmosphere? That's pretty hypocritical. . .
What's more, what should be explained should be explained. I began to wonder how the old man knew that nunally had the same gun as him, and then it came to my mind. It should be that he first knew that his wife had smeared green on his head, and then he investigated which man was so cao dan, and then thought, hey, if I buy a gun just like him, I can do whatever I want. It should be like this, otherwise it doesn't make sense. . .
In fact, the old man is too obsessive. If he doesn't put his wife to death, nothing will happen. The little handsome guy can't get the bullet, and the case can't be tried again. Nunally is already dead, and his wife is in a vegetative state. People also said nunally, there were only two appointments in total, what about you?
And I don't like the inner ending, why do I have to play the opening court again. . . It really came to an abrupt end, as if the director had a kind of [Finally finished. . . It's almost over and it's over] feeling. . .
And the little handsome guy is not with Boss Mei. Although I don't like sister-in-law love, Boss Mei is a superfluous character, but it's still a pity.
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