The download page itself has comments, telling the story with unexpected results.
Seeing that the girl dug up the grave and took out the envelope, there was a "button" protruding imprint on the envelope in the close-up, and I had probably guessed that this was the director's foreshadowing. Only in the close-up, the protruding thickness of the imprint seems to be a button instead of a coin, and the vague feeling that the coin should be thinner. At this time, I was lucky and hoped that the director would be a benevolent person.
The girl he described was a strong, kind person. Occasionally selfish and offended the witch, who is not at fault?
She admired the girl's strength from the bottom of her heart. She was thrown around like a sandbag by the banshee. She had to face all kinds of weird and terrifying hallucinations all the time. In the end, the only person who could defeat the banshee died for no reason. She still didn't. Give up the fight, and she chooses to face it alone from beginning to end. .
And when she knew that she could pass the curse on to others, she faced the lingering old man and her former enemy. . Her various hesitations can see the original kindness in her heart.
The girl has gone through all the trials and tribulations set by the story. . . In fact, I think that when she was photographed surviving from the grave, and finally came to the station to meet her boyfriend, the story ends here, even if it is complete, although it is a bit unconventional.
I don't understand why the director had to change the "buttons" in the envelope with "coins", and had to let the banshee drag the girl to hell. As far as storytelling skills are concerned, the suspense of replacing "twist button" with "coin" is undoubtedly very successful. But if you look at it from another angle and comment on this storyteller, points should undoubtedly be deducted.
If I want to judge, the director is definitely a talent, the story is undoubtedly wonderful, but outside of the movie, there is less compassion.
Why do movies like "Happiness Knock" and "The Shawshank Redemption" get such high scores no matter where they are? That's because, even illusory, these storytellers end up leaving something behind. . . hope.
After writing the above, I started to contradict myself. . . There are also disillusioned stories like "Requiem for a Dream" and "Escape from Las Vegas". Emma in "Dancing in the Darkness" is even a role model for women in my mind, although the director finally sent her to the role. gallows. But I never felt that these directors lacked compassion. .
Maybe a type of story like "Fall into Hell" doesn't seem to me to have the heaviness of the above story. . . This is a superficial story, and the director finally sent the girl to hell just to add a layer of suspense to the story, to show off his storytelling skills, or for a more refined ending. Just like the girl in the story, just to be able to be promoted to the position of manager and have a perfect performance in front of her boss, at such an accidental time, she refused mercy.
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