This paragraph should be the soul dialogue of the movie, one word (text) reveals the two protagonists’ expectations for love and (actually) ignorance,
and the scary, gory’s under the impact of reality and love Yourself and each other.
I was so excited to know from my friends whatsapp that this long-awaited film finally has a source. The English film is called Like Crazy. From the poster we learned that this means I love/miss somebody like crazy. How to be crazy for love? Is it not crazy to have love? If talking about a love (at least in the early stages) can't make people go crazy and do stupid things that they don't usually do, then the love will not be so unforgettable.
Anna & Jacob, the heroes and heroines in the film, are very pleased. They are both proactive people. They don't hesitate to face the people they like, and are brave enough to love them. The heroine scribbled on the actor's paper, the bottom says "Please Don't Think I'm a nutcase!" I believe her direct confession, cute and hearty personality first, successfully won the favor of the audience. The heroine is no worse than her, and immediately asks the heroine to come out for coffee. The first date has talked about dreams, future, family, childhood anecdotes, both are very comfortable and soulful people-the two hit it off. Then there are the clips of their dating, including the chair he made for the first time when a boy gave a girl to a girl, and a journal written by the girl who gave him a journal to record love-all of which means that the other party is also part of his dream.
The movie quickly gets to the point-how can the two people who are forced to separate continue this rare love without losing it to reality?
Jacob: "I just feel weird... I don't feel like I'm actually part of your life... like a vacation."
When they were young, the two of them didn't think about the problem of VISA, just like ordinary young people, have no idea what to do But the problem that VISA brings is like a level that evolves from teen to adulthood-no matter how young and fearless, we all have to face reality and be forced to deal with reality one day. This is also the theme of the movie. How are we going to deal with ourselves?
Long-distance love, I found, it is not a test of how deep the love between two people is; it is not a test of how loyal the other person is to oneself; it is not a test of who is more willing to sacrifice time off to talk to each other on the phone, or whether it should be this time Who visits which country. This challenge, or this test, is a great dissection, great struggle, and great discovery of their own personalities, values, beliefs, and attitudes towards things. This is the growth of one, no, two independent individuals. There will be sweetness, happiness, distress, struggle, deceit on the way; that is, in any emotion you can count, so as to understand yourself, the other party, the world, and what life actually is and how the world actually works. To put it simply, this is basically a struggle between yourself and yourself.
The two are clutching and disengaging, trying to have a new object and a new life. Even though they have career achievements, they still can't forget the other party, the feeling of being crazy about love when they were young, and can't forget everything the other party has given to themselves. They don't hesitate to get married in order to get VISA, give up their near-perfect Partner for each other, and give up their fresh career in order to live together. At the end of the film, they finally overcome all difficulties to live together, but does this mean Happy ending finally comes? Anna and Jacob finally looked close together in the shower, thinking about it separately, reminded me of the Graduation ending, the uneasy look of the escaped marriage after they boarded the bus, and they felt confused about the future. Whether or not they live together in the end, it is actually just the birth of another life problem.
There is a scene where Anna says sorry to Jacob, and Jacob replied: It's okay. There's nothing to sorry.
No one has done anything wrong in this relationship, which is why they and the audience are the most unwilling. Anna and Jacob are very loyal, love each other purely, have confidence in this love, loyal and love each other, and fight for each other. It's just that when facing reality, it's not the word "love" to solve any problem. I remembered that in 500 Hundred Days Of Summer, Tom and Summer were in bed talking about Summer’s love history. Tom asked,'Why didn't they work out?', Summer just said gently:'Life.' I feel that when a person realizes the real difficulties in life, it means that a person is serious on a certain day of life. From the moment when the earth finds that the cruel reality is compelling, life will no longer be sans-hardship from the moment when God is not beautiful. When the beautiful dreamy love and the cruel world were handed over, Anna and Jacob knew that there were some things in life that were so incomprehensible and helpless that they were unreasonable, headless, and helpless, and then they only had to accept it.
Don't forget Simon and Samantha in the film. They also completely and purely love Anna and Jacob. In Script writing, they are more "good guys" than the two protagonists. They are not "Villains" who take people away from the third party, but they still don't get what they want, and they are still deeply injured. I like the realism of this drama-there are no absolutely good people and absolutely bad people in the real world-everyone is also a winner and victim in reality. Everyone who was severely injured in bleeding was actually hurting others at the same time. In this world, every day, everyone is hurting themselves and hurting each other, forgiving themselves and forgiving each other, then hurting, and then forgiving.
Movies are not super surprisingly good-looking, or deeply shocking. It simply describes how the character reacts to the situation. There is no significant climax or Dramatic/unexpected plot development. Like Crazy is like a documentary more than a movie. Even so, the feeling of being quite realistic is still engaging. The film is well shot, the male and female protagonists perform very naturally, and the expressions in the eyes make me feel so in love. I admire the dialogue between the two temporarily, which made the audience comfortable and convincing. Seeing certain clips, such as the scene when Jacob went to play with his new girlfriend, and when Anna called Jacob say'Hi' on a long-distance call, I still shed tears. The movie used a lot of close up to help the audience watch Anna's smile so sweet as to melt people with them, and Jacob looked at Anna's emotional eyes. Personally, I like to look at each other in the tube on the way to Heathrow Airport until Jacob disappears from the passenger seat. All in all, this film is not bad.
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