In the eyes of film fans. Nolan is God.
All the movie reviews about Nolan seem to be inevitable, and the audience repeatedly argues about the essence of the plot (except for the Batman series). This kind of long-lasting aftertaste, which can be called the top entertainment experience, seems so precious in today's movie environment where 3D signs are hung all over the world. It just so happens that Nolan himself is also a director who resists 3D shooting. This attitude of insisting on the original spirit of drama movies has also won the favor of many paranoid young people in the arts.
Same as Hitchcock, the great master of suspense. Nolan is also a master screenwriter. And it seems that in every movie that is close to perfection, the lines are often refined to the point that every word is like gold. Nolan's personal movies always prove to the audience time and time again that nothing the actors say in the movie is nonsense. Every object that appears on the screen is a hidden role.
Except for the scriptwriter inspiration like the devil. Nolan also has a devilish editing style. Of course, you can also say that this technique of splitting and combining. It is not unique to many strong stylized directors. Such as Quentin, such as Almodovar. They are all the opposite of the rules, they are all proud thinking thugs, and they are all labeled with awesomeness. But compared with those two, Nolan seems to be more like a high-quality young man with a constant mental condition and high IQ (this may be the reason why American producers will look for Nolan for the plastic theme of Batman). Under the guidance of a rich variety of interesting expressions, actions, sceneries, objects and plots, every frame skipped on the screen. They all seem to show off to you the author's rigorous wisdom. This feeling of searching seems to be waiting excitedly, listening to the emergence of a great prophecy. Although, it is just a movie that exists to entertain you. This may be what Wang Xiaobo said is interesting. In the face of such fun and fun methods, the national teacher Zhang Yimou is like a shameless movie lover (especially "Three Shots").
I am a little excited. I have to admit that I have a paranoid fondness for such small scene movies. Even if it is a big-size film like Xu Jinglei's "Dream into Reality", I would find it quite interesting. Compared with Nolan's subsequent large-scale production scenes, I feel that such a small length has stimulated Nolan's power to achieve the ultimate in the story itself. It's like building a house, building a 100-story skyscraper, and seeing the decoration and design inside are all polite. While you are lamenting the exquisiteness of the building, you may feel faintly in your heart that such a masterpiece itself deserves such a high-end product. But if you change it to build a toilet, you will find that opening the front door is a surprise, and opening the toilet is another surprise. When you take out the toilet paper, it is still a surprise. When the water gate is opened by the sink, it is actually a fucking surprise at the end. . Forgive me for the excessive flattery. I am indeed there. After only 10 minutes of watching this movie, I think this movie is too right. I believe this entertaining mysticism is the ultimate in the hearts of many directors. But Nolan's virgin handwriting did it.
At the moment when the word was poor, I remembered Wenger’s comment on Fabregas: “Mozart can play a very good piano at the age of 6, and I will never be able to play that well. And some players are 17 years old. , Which I have never achieved when I play football. Why? Because they are all special geniuses. "Nolan is such a genius.
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