One day the director suddenly decided to shoot the second part of the Killing Array of Different Dimensions.
Then I thought of finding some different concepts from the first part. Since the first part uses the Rubik's Cube, the second part will be more advanced, with the concept of space and time coming out.
Then the director went to a certain university and found books about space-time research at random in the library (it is estimated that he did not look for those more famous concepts, but found purely theoretical things such as 4-dimensional space.)
Then he Bring a certain masterpiece in 4-dimensional space (maybe the thickest one on the shelf). I went to the research institute to find a professor in this area (maybe it was a graduate student), and asked about some basic theories of 4-dimensional space, and then asked if there is any relationship between 4-dimensional space and time, and whether it conflicts with parallel universes. , And asked for a 4-dimensional mathematical model. I also learned about the collapse of symmetry.
Then comes the plot aspect. In order to make the story more mysterious, he decided to let the characters in the play gather first, and let the characters die in different ways after gaining some understanding of the world. At the same time, let the characters hide their identities, so that even if the movie has a bug, it can be attributed to a character lying.
But this is too simple, and it's meaningless to let the audience see the shallowness of the film. Therefore, the director decided to add a puzzling ending, denying the identity of the person with the simplest and most irrelevant background, and not clarifying all this, let the audience guess.
As for killing characters, since the previous one was bloody enough, this one should not go in this direction. It was a physical murder last time, so let's come to the space to kill this time.
In the end, the director combined all this together, and the film was born. That's it.
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I know someone will say I didn’t understand it. I admit.
Needless to say the plot, everyone knows that the plot is not as good as none.
If you elaborate on the world view, this is too. . . Those who say that this film is an explanation of the worldview, to sum up, how much the director describes this worldview, and more of them are just a few words, and it also comes from the characters who may be lying.
To speak of human nature, hehe, I don't believe it anyway.
The most speechless and insincere part of this film is that the plot has nothing to do with the worldview. As long as it conforms to the principle of "There is no way to escape", whether it is a parallel universe, a Rubik's cube, or a multi-dimensional space, the plot can be roughly applied.
I have watched this film, second only to the insincere foreign film "Knights of the White Lily".
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