Although I don't think I am a two-dimensional poisoner, I remember that I once saw a comic friend on station A list the names of the animations that he plans to watch for his children in the future. There are all kinds of Japanese and European animations, but there are very few national comics. Few. The post-80s generation is a nostalgic group, because the world in childhood is so different from the world now, so big that we all feel unfamiliar and afraid. The more we lose, the more we worry about losing more in the future.
Compared with the animations we watched when we were young, why are our animations getting worse and worse?
This problem is small, that is, the structure of the animation industry and the lack of talents, lack of funds, people's understanding... These are some ordinary reasons. To put it bluntly, it is the bias of the direction of the whole society, which leads people to ignore such an inconspicuous "gadget" as "animation". Just like the mammoths in the film, they only know whether there is land in front of them, but only the old lady is silently feeding the "baby" that no one else can see.
That "baby" is a big whale that can turn the tide of battle.
Quick success education, let our animation workers forget the nature of children. I know what to educate children in cartoons, but I don't know how to draw children's attention back from the colorful online world and electronic products, so I can only use limited time to crawl Instill some truth in the children. You should be like this, you should not be like that. Packed with just bad plots and utterly nutritious hilariousness, the kids swallowed the icing after the icing and went down the drain the next day along with McDonald's, KFC, and Pizza Hut.
This is something that really makes me sad to see.
Why do we think foreign cartoons are so good-looking? They never teach you to be like this or not. Instead, they show the full story to the children, use some light or exaggerated burden to make the children laugh, and use the tension or even the fearful plot to make the children laugh. They were shocked, and finally made the children happy with a warm and happy ending. Foreigners who have always been accustomed to expressing their emotions directly have unexpectedly never talked about the truth in cartoons, and left the children room for them to think for themselves. This is respect for children, giving them the same full plot, plot and more jokes as the movies that adults watch, but also giving them the same space for aftertaste.
It seems that we always regard children as raw materials, while foreigners regard them as children more. This is probably one of the reasons why our cartoons are so ugly.
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