Looking through her collection of paintings in the library, there is an indescribable fear, not only the naked objects in the paintings, but also Frida's uniform face looking at the viewers in every painting. Ge said: I paint what I see, and you paint what is in your heart. Objectively describe the images recorded by the retina and open the heart, draw nice things I say to you and draw what I want to say. The truth is always unacceptable. Diego drew a naked girl standing in front of him, graceful figure, pleasing posture, and Carlo was lying in bed after the car accident, unable to move, her favorite Alex sent a bunch of flowers, she was so happy, and then Her beloved suddenly told her that he was leaving her, and she suddenly started painting butterflies on the plaster covering her body, asking him to leave before finishing the painting. After receiving the spine correction, she said, "I am like a puzzle, which will be disassembled and reassembled by the doctor after a while." Then she drew the broken spine and the body wrapped in bandages. They are all real pictures, some naked organs, and a beautiful woman with no expression. The blood flowing in Carlo's paintings, the growing vines, the dead baby, the devil on the bed. She painted her own pain, and this pain easily infected the viewers.
Carlo and Diego are both atheists, but they have their own spiritual leader. When he was young, Carlo crazily adored Diego's painting attainments, and the success or failure of his painting skills depended entirely on Diego's evaluation. And driven by the latter's sweet talk and dazzling revolutionary enthusiasm, he married him. After that, Diego's deception and derailment became the whole of his marriage life. As their friend Tina said, two people who knew that marriage was a tragedy in life still stepped into the marriage hall resolutely. Carlo gave Diego all the feelings of his life, love and hate, pain and entanglement. She cut her hair painfully, drew the assassinated wife, drank, and had sex with the showgirl, but she wrote to Diego in faraway Paris: "It's great here, but without you, nothing matters."
Each artist’s biographies have a history of affection that has a great influence on them. Regardless of their length, they are just some embellishments of their personal achievements. In contrast, the bond between Carlo and Diego is all of Carlo. Life. She said to Diego: There are two disasters in my life, the car accident and you.
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