strange script

Mae 2022-04-21 09:01:43

Soderbergh's series, although commercial and curious heist movies, seems to be a little different once it switches to the female protagonist.

From the very first appearance, the heroine Bullock has been ganging up like a big secret that she has picked up, looking for some wonder girls, and finally found out that she was cheating, cheating, and stealing jewelry. This trend is very reasonable. If the female heist adds fashion, fashion, and stars, it will be very selling point. From the producer's point of view, it is a very talented design. But isn't this a female stereotype? This no matter how excellent a story is made, it also confirms the stereotyped positioning of women. Although it is said in the film that we are doing this for the teenage girls who have the dream of a peerless thief, it has also become a part of consolidating the existing female stereotype.

However, it still shows that there is no problem with women's intelligence, although it is in the way of the IQ of the opponent and the enemy. Maybe some kind of mocking of the fashion industry?

All of the above add up to an awkward experience.

Accidentally found that Hathaway is amazing (it's not the beauty of the face, it's the feeling of the fleshy body and the stretch of the bones in the posture-eyepetizer, it should be the sensual pleasures brought by her physical appearance?? Combined with the character, it is even more deadly. pleasant, sensually appealing), but also unexpected.

Thinking about it this way, if you can see from a commercial blockbuster that a feminist perspective that can truly persevere to the end, it will be a very interesting journey of discovery.

I don't really like the current trend of filmmaking. Is it a question of postmodern culture? I don't like lalaland's kind of thing that lacks the most important core, but has good peripheral skills, and has creative acumen. It relies on these concepts and technologies to move forward. It has also formed a fan culture that seems to be full of vitality. artistry? ! ? ! I want the old-fashioned cabaret. Can't you? ! ? ! That's not out of date at all! ! ! ! ! ! ! ! ! !

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Extended Reading

Ocean's Eight quotes

  • Debbie Ocean: [as she sits down] Hello, John.

    John Frazier: Hello, Debbie. You look well, how long's it been?

    Debbie Ocean: A few years, minus good behavior.

    John Frazier: Right

    Debbie Ocean: Yeah

    John Frazier: Thank you for calling. I was gonna call you.

    Debbie Ocean: Yeah, I didn't do it.

    John Frazier: Of course not. You were just on camera 20 feet away while the jewels were being nicked. It's a coincidence.

    Debbie Ocean: No. That's a solid alibi.

    John Frazier: What is it? Is it genetic? Are the whole family like this?

    Debbie Ocean: Except for my Aunt Ida.

    John Frazier: Librarian?

    Debbie Ocean: Hmm. Homemaker.

    John Frazier: Right, I'm gonna make this easy for you. I don't want you. I just want the necklace. I don't care. I'll say I found it in a cab.

    Debbie Ocean: How about some of it?

    John Frazier: How much?

    Debbie Ocean: Hypothetically, 10%.

    John Frazier: And where's the hypothetical rest?

    Debbie Ocean: Oh, I don't know. Literally.

    John Frazier: Oh, God. This is exhausting! I mean, when they said come over, I was like... Ugh. You know, with the jet lag, the time difference, Arsenal in the Cup Final this weekend. But now I'm here. It's bloody interesting.

    Debbie Ocean: Yeah?

    John Frazier: So it's not just profit, it's revenge. It's a twofer.

    [about Claude]

    John Frazier: He frames you, you frame him, scores are settled.

  • Detective: [in the interrigation room] Well, it seems four sweet old ladies, who apparently don't exist, have recently transferred some very large sums of money into Becker Holdings, LLC. Do you know how that might have happened, Mr. Becker?

    Claude Becker: [in total shock] I think I need a lawyer.