When the psychologist returned to the earth, he did not feel that the earth was more familiar. In fact, he is no longer on Earth, nor in space, but in Solaris.
Solaris, this mysterious thing, mysterious place, on the one hand, he unceremoniously stands out in front of you, you know where it is, but at the same time, you don't know anything about him. Just like the resurrected lover, he is right in front of you, you are so familiar with him, but that is not him.
Solaris is an unsolvable mystery, not difficult to solve, but in front of it, we all lose the desire to understand the mystery. The most charming charm is not your smile, but behind the smile, the perverse feeling, the feeling of obedience, like taking the trembling hand of a boy and letting the current pass through the whole body.
Solaris has endless charm.
What fascinates me is the details of cutting back and forth. Death is only a turning point. Blood is love, salvation and hope. The revelation appeared at that moment, but it was quickly forgotten.
Because I have seen Tarkovsky’s version before, I always subconsciously compare the two versions. In fact, the two films are not comparable, because this film has been completely Soderbergized and fully reflects the De Berger's personality and aesthetics are complete in plot, logically rigorous, concise and vivid. They are different from the open and ambiguous version of the old tower. They are two different ideas of two directors and two different movies with similar themes.
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