Sedrick 2022-04-22 07:01:04
View more about Rosemary's Baby reviews
Jayce 2022-03-26 09:01:03
The horror of "birth" or the lack of love in the relationship, "Rosemary" appropriates Satanist mysticism to women's fear of men (penis). A horrific event can take place not in a shadowy black and white room, but in the relationship between a middle-class couple and their neighbors, as shown in the first skyscape, a sunny corner of New York with hidden Gothic architecture. White was transformed from complete black, and in that ritual "conception", the soft and wrong line of sight created a "half-dream and half-awake" state and delusion, making these mysterious existences plausible. The implication: this is still an introverted psychoanalytic film.
Curtis 2022-04-23 07:01:26
65/100 A desperate housewife who hopes to use fertility to save her marriage and gain attention, her innocence and horror are all annoying, but at the same time you have to admit that in the same social environment, your coping may be worse. It is so important for the heroine to represent women in the film, but she encounters the greatest contempt, which completely reflects the social reality.
[First lines]
Mr. Nicklas: Are you a doctor?
Guy Woodhouse: Yes. Yes.
Rosemary Woodhouse: He's an actor.
Mr. Nicklas: Oh, an actor. We're very popular with actors. Have I, uh, seen you in anything?
Guy Woodhouse: Well ,let's see, I-I did "Hamlet" a while back, didn't I, Liz? And then we did "The, uh, The Sandpiper" and then...
Rosemary Woodhouse: He's joking. He was in "Luther" and "Nobody Loves an Albatross" and a lot of television plays and commercials.
Mr. Nicklas: Well, that's where the money is, isn't it? Commercials?
Guy Woodhouse: And the artistic thrills, too!
Minnie Castevet: Oh, are you *preg*nant?
