1. The protagonist uses spaceship metal to build weapons. Can the fire at that time really smelt these metals that far surpassed dozens of centuries of technology in that era?
2. Then the protagonist puts the toolbox by the lake, and finally the thing that contacted the aliens, Nima is a crop of the same period anyway, should it explode as soon as it is cut!
Let's talk about the plot. I thought that monster was an abomination. Later, I felt pitiful when I saw that the population of their planet was slaughtered by the protagonist, only two large and one small. In fact, the protagonist is right, the monsters are right, and the Vikings are even more right. Gaining more living space is the heart of the protagonist, and revenge on humans is the heart of monsters (otherwise it doesn’t have to kill so many people. If it survives, it’s enough to eat one or two people a day, but it accumulates in the lair. So many corpses), it is the original intention of the Vikings to maintain the safety of their own ethnic group. Only the conflict between their hearts caused this result.
Also, the protagonist, your wife just died, and you ran away with other women. Are you still a human? ! Besides, I think that people treat you more of your gratitude for saving her dad. The emotional development of the hero and heroine is really unacceptable.
In addition, in fact, I totally think that the movie can end when the monster is burned with traps. Obviously, all the villages have united and worked together to set up traps. It is the time when the film climax is exciting. At this time, it can be a big victory or the end of a tragic victory. As a result, a small monster was created, and the big monster was not killed. Then a bunch of people died. Then the next day people gave up. Everyone migrated, and only a few fighters continued to follow the protagonist to kill. monster.
Before the protagonist of the book, he vowed to say that the method of setting up a trap was feasible, but it really lost his wife and broke down. If Nima implemented the second plan earlier, it wouldn't be so troublesome! A bunch of people copy guys to kill monsters so exciting! How do I look after going to the monster's lair?
Where does this kind of film need so many peaks and turns, I personally think that it hasn't been handled well at all!
Finally, I'll make another comment. How do I think the trajectory of the arrow of the protagonist at the end of the film feels weird. After reading it twice, it turned out that it was a lens problem. In the previous shot, the protagonist Zhang Gong used an arrow to point to the right side of the screen, but the bow and arrow flew straight to the left side of the screen in the next shot.
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