Coinciding with the fiftieth anniversary of the release of the movie, it is purely coincidental, purely unintentional, and life is sometimes more coincidental and dramatic than the movie, the same for Roman Polanski and Mia Farrow, whether it is the Manson family who shocked the world afterwards. The homicide, or the custody battle between Mia Farrow and Woody Allen, made this film with a profound impact on future generations destined to go to the altar.
No vulgar editing to frighten the audience's nerves, no disgusting and exaggerated makeup to frighten the audience. Instead, there are layers of progressive psychological fear and a sense of powerlessness against the oppression of reality. The floating painting also adds to the charm of this Roman Polanski artwork.
At the end, Rosemary's smile to the Son of Satan seems to imply pure motherhood, which makes the film turn into a feminist film. It also seems to imply that Rosemary was assimilated by a cult, so that the film is full of a kind of sinking in reality at the end. Sense of fear.
Movies and reality are scary.
Maybe we also feel at a loss, maybe one day we will feel helpless and old, maybe one day we will surrender to our interests, maybe one day we will be overwhelmed by reality, idealism and heroism may always only be live on the screen.
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