After reading a film review, it turned out that the research was conducted with the male protagonist as the first perspective. Except for the male protagonist, all of them were borrowed to have meaning, and the female protagonist was regarded as a creative inspiration. It's very interesting. When I watched it, I watched it with the heroine's mentality as the first mentality. A housewife-like heroine who desires to live a life that is not disturbed by the world and the outside world. She has no personal life. Her heart is entrusted to the married life centered on the man. The heroine's resistance to the world and the outside world, and her husband's pursuit of fame and fortune, lead to estrangement and inability to understand each other. The heroine's sense of powerlessness to continue with an irresistible life. Explosion, de-escalation, outburst, de-escalation, and for the last time, the final outburst led to destruction when the child, seen as the lifesaver of the marriage, was murdered by the zealots brought in by the husband. Lawrence's acting is delicate enough and dramatic enough. The poor life of an ordinary woman. The final rebirth alludes to an endless cycle, and each rebirth, establishment, is the only path to pain and destruction. This cycle is pessimistic enough. I feel like this film is really a feminist dominated by male consciousness.
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