17. As a person who has never seen the original anime and first came into contact with the world setting, Yu Didu recognized the movie itself and received a 4.5-star praise. The background of the film is set in a future world, where people are committed to mechanizing their bodies, so that the aesthetics also converge with machines (human prostitutes dressed in robotic style). Although technology enhancement has become a trend, there are people who reject the excessive development of technology, whether it is the special operations team that is directly under the Prime Minister, or the slum where the family of Motoko (the protagonist's original name) lives. Taking this as a contradiction, the technology company attacked the stronghold of the anti-tech youth in the slum and brought them back to the company for human experiments. After scrapping 98 "experimental materials", he finally obtained a weapon named Major that perfectly retains the human soul-brain and a perfect body-mechanical skeleton. I can't help but want to add a sentence here, the number 98 is too intriguing here, so that it gives people a feeling of excessive force and blank space. Looking at all the films from this point, you can find that the screenwriting style of Japanese film and television works, where the lines contain philosophy, is vividly displayed. There are even two sentences about the definition of the human soul. Although I hate the style of speaking like a big reason, but for the sake of thinking more intriguing, I decided not to comment on it too much. Scarlett Johansson, who plays the major, can be said to be a new generation of goddesses. Perfect muscle lines, especially powerful back muscles and angular lines approaching perfect facial features, make people very immersive. She created a wild, rebellious, sexy and aggressive synth in the film. In the opening chapter, I couldn't bear to stare at her back every time, I felt familiar. It turned out that I had seen Matilda's silhouette in "That Killer Wasn't Too Cold." It seems that the major is walking in the same way, with a large coat, suggesting that she was born in a slum like Matilda, and dares to love and hate. The whole film made my first appearance in the Major's first mission. The commander's Japanese and the team's English are seamlessly connected but still make people face. No matter what kind of negotiation this is, I still feel a subtle dissonance. For the time being, I didn't expect any results that would satisfy the filmmakers, investors, and moviegoers from different countries, so... For the character "Hero", I understand with limited knowledge that he uploads his thoughts to the Internet, By hacking different people to piece together their own bodies and then download them from the Internet, due to the excessive computing of the human brain or memory loss, many of his functions are damaged (such as stuttering, which affects the perception and perception). And those living people who sit around like monks (this is another intention) are similar to the VPN we use to bypass the wall (is it called this? Ah, I'm actually not sure), while evading investigation, he expanded his cloud disk ~ just sauce ~ This film is so forward-looking and epoch-making that I can't help but remind me of a lot of issues that have been discussed for a long time. If robots have emotions, how can humans be distinguished from machines? Should we still distinguish between humans and machines? Do we have the right and ability to distinguish between humans and machines? In a sense, AI, clones and IVF can all be counted as artifacts, so why can't AI enjoy human rights? A certain joke once said that human beings will be afraid of aliens coming to earth to invade and occupy our land and use us for human experiments. Because if humans could reach aliens they would do the same thing. So does our fear of the power of technology stem from the drive of "original sin", the manifestation of violence and possession in human instinct? If we can make robots think they are real by setting their memories (as discussed in Resident Evil 7 through human cloning), then we should also be able to make real people think they are machines by washing their memories. The question is, how do we determine that our present tense is not a brain in a bottle? How exactly do we perceive our own existence? Who are we? what is it? If human beings cannot give exact answers to the above questions, it seems that the evolution of robots becomes irrelevant. Humans can still explore a long way, but their own research is far from reaching the edge. ps: There was no urination in the whole process, because I was so suffocated that I could only take into account the plot and couldn’t think about it at all. Spoiler alert) exist? Who are we? what is it? If human beings cannot give exact answers to the above questions, it seems that the evolution of robots becomes irrelevant. Humans can still explore a long way, but their own research is far from reaching the edge. ps: There was no urination in the whole process, because I was so suffocated that I could only take into account the plot and couldn’t think about it at all. Spoiler alert) exist? Who are we? what is it? If human beings cannot give exact answers to the above questions, it seems that the evolution of robots becomes irrelevant. Humans can still explore a long way, but their own research is far from reaching the edge. ps: There was no urination in the whole process, because I was so suffocated that I could only take into account the plot and couldn’t think about it at all. Spoiler alert)
13.4.17 Yu Imperial
As a person who has never read the original anime and first came into contact with the world setting, I recognize the movie itself, with a 4.5-star praise.
The background of the film is set in a future world, where people are committed to mechanizing their bodies, so that the aesthetics also converge with machines (human prostitutes dressed in robotic style). Although technology enhancement has become a trend, there are people who reject the excessive development of technology, whether it is the special operations team that is directly under the Prime Minister, or the slum where the family of Motoko (the protagonist's original name) lives. Taking this as a contradiction, the technology company attacked the stronghold of the anti-tech youth in the slum and brought them back to the company for human experiments. After scrapping 98 "experimental materials", he finally obtained a weapon named Major that perfectly retains the human soul-brain and a perfect body-mechanical skeleton.
I can't help but want to add a sentence here, the number 98 is too intriguing here, so that it gives people a feeling of excessive force and blank space. Looking at all the films from this point, you can find that the screenwriting style of Japanese film and television works, where the lines contain philosophy, is vividly displayed. There are even two sentences about the definition of the human soul. Although I hate the style of speaking like a big reason, but for the sake of thinking more intriguing, I decided not to comment on it too much.
Scarlett Johansson, who plays the major, can be said to be a new generation of goddesses. Perfect muscle lines, especially powerful back muscles and angular lines approaching perfect facial features, make people very immersive. She created a wild, rebellious, sexy and aggressive synth in the film. In the opening chapter, I couldn't bear to stare at her back every time, I felt familiar. It turned out that I had seen Matilda's silhouette in "That Killer Wasn't Too Cold." It seems that the major is walking in the same way, with a large coat, suggesting that she was born in a slum like Matilda, and dares to love and hate.
The whole film made my first appearance in the Major's first mission. The commander's Japanese and the team's English are seamlessly connected but still make people face. No matter what kind of negotiation this is, I still feel a subtle dissonance. For the time being, I didn't expect any results that would satisfy the filmmakers, investors, and moviegoers from different countries, so...
As for the character "hero", I understand it with limited knowledge that he uploads his thoughts to the Internet, assembles his own body by invading different people, and then downloads it from the Internet, because the human brain is too large or memory loss. Because of this, many of his functions are impaired (such as stuttering, which affects perception). And those living people who sit around like monks (this is another intention), similar to the VPN we use for overcoming the wall (I'm not sure if it's called this), evade investigation and expand his cloud disk ~ just sauce ~
The film is so forward-thinking and epoch-making that it reminds me of a lot of long-discussed issues.
If robots have emotions, how can humans be distinguished from machines? Should we still distinguish between humans and machines? Do we have the right and ability to distinguish between humans and machines?
In a sense, AI, clones and IVF can all be counted as artifacts, so why can't AI enjoy human rights?
A certain joke once said that human beings will be afraid of aliens coming to earth to invade and occupy our land and use us for human experiments. Because if humans could reach aliens they would do the same thing. So does our fear of the power of technology stem from the drive of "original sin", the manifestation of violence and possession in human instinct?
If we can make robots think they are real by setting their memories (as discussed in Resident Evil 7 through human cloning), then we should also be able to make real people think they are machines by washing their memories. The question is, how do we determine that our present tense is not a brain in a bottle? How exactly do we perceive our own existence? Who are we? what is it?
If human beings cannot give exact answers to the above questions, it seems that the evolution of robots becomes irrelevant.
Humans can still explore a long way, but their own research is far from reaching the edge.
ps: There was no urination in the whole process, because I was so suffocated that I could only take into account the plot and couldn’t think about it at all.
View more about Ghost in the Shell reviews
