Should the movie exist as an independent ontology or as an animation version or as an attachment to the comic version? I think this film is good as an independent subject. Various elements are intertwined to present chaos and weirdness. Memory fragments appear as illusions. The core of the film's story is "what you do to shape yourself" rather than the animated version of "what knowledge shapes you." The self and how to divide the boundaries between the self and the non-self”. Major didn't think she was a human at first because she had no memory, no privacy, no self-selection, she thought she was created to serve Nine Lessons, and regarded herself as a tool rather than a human being, and later became self-aware in the process of hunting down Kusei rise. In the film, she is looking for a prostitute to touch the prostitute's body and ask how it feels to show that she wants to be able to experience human senses like a human being, and she does not want to be a robot. The story is simple but complete and clear. In the end, the major regained his memory and understood his life experience. He refused to walk with Kuze to the Motoko cemetery to meet his mother and said that you would not need to see her in the future, but still chose to stay in the nine lessons to continue his original work. It is also a jump, which shows a more sense of firmness than the jumping shots at the beginning of the film. This is a process from negative acceptance to positive identification. She cares not what knowledge or information constitutes me, but what I choose to do and what I am doing (behavior) constitutes me. The 3D projection general advertisement of giant characters is creepy after watching it for a long time. The male best friend can't accept it at first glance after changing eyes. The more you look, the more cool it looks. Scarlett's slightly stiff and mechanized body movements are highly praised. That white tights is so beautiful!
View more about Ghost in the Shell reviews
