A mix of warmth and horror (Wow~~~~~ Pan),
gorgeous and magical, but it brings icy unease (Pan)
dream and reality (it's Pan again, and Elm Street)
and dolls Confusion (ghost doll? puppeteer? GIS?)
thick white fog filled with (wow~~ Silent Hill)
evil voice, mysterious cat (Cheshire cat) who can come and go freely in any weird place The highest)
disappearance and collapse at the end of the world (Wow~~ThirteenFloor, Matrix) in
the mirror, the different world at the end of the passage, looking for the remains, the haunted old house and all kinds of weird people appear (all the ghost movies reserved)
and more than adults. Mature and sophisticated, more calm and calm than ghosts, more cunning than BOSS, invincible evil loli cooking dumplings with a queen's aura~~~~~
All of this seems to be constantly scratching you, teaching people how not to like it.
The only question is that although there is no gap with the overall style, what is the purpose of adding the character of the crooked neck compared to the original?
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The most crucial point of a film like this is that the aura is in the right direction, indicating that the director knows what kind of story this should be. A lot of films, bloody, screeching, startling music accompanied by disgusting monsters, but they are not scary, but very funny, but the aura is not right. What kind of director really understands this style? Detops, Alfonso, Pandas, Dogs and so on. In addition to having a different aesthetic taste for all kinds of monsters, I firmly believe that such monsters have one thing in common. It's endless fun.
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