Hollywood mocking itself but continuing that virtue? Loves new beautiful, fresh, money-making bodies, especially women. But I can't help but want to say that the image of the idiot is too stereotyped and too scary. Gloria's eyes are too white, staring, and there is too much neuroticism. After listening to lana's song, I thought it was a love story, but later I felt it was a deformed emotional story, and then I thought it was a story about the heroine's ego alone. She is really amazing, she should have that kind of one-track mind, so she can achieve great success in acting, those few Chaplin shocked me, but it also prevented her from getting out of these illusory bubbles. The core of the film is easy to understand, and even makes people feel too straightforward. It's nice to look at details and symbols. For example, an unlocked door (mainly my heart trembles every time there is a door), the director's understatement about how the media and the public destroy human nature, the life states and predicaments of three people of different ages, Max The raised eyebrows, the playfulness of the conversation between young people. And the contrast between Sunset Boulevard and Lemon Groove Boulevard.
However, the dilapidated mansion, the lonely and neurotic middle-aged woman, the luxurious old car, a follower of dreaming and maintenance, and the last scene created by Max are all a bit symbolic and stereotyped. And do women really have that much desire for love and the help of men to grow up? (I just love boxing for me) But once again I caught a glimpse of the harsh reality that women are still second sex; fame is a pumping oil well that leaves nothing but wreckage.
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