The death toll during the South Asian tsunami was as high as 230,000, and some of them came from all over the world and from all over the world. Among them, a couple from Hong Kong who received CSSA were the victims of the tsunami. It is found that taking social subsidies to travel has attracted condemnation from the masses. The families selected in the play began to emphasize that they were real from the beginning. The film crew adapted the stories of their little people and put them on the screen in this way, making "The Impossible" (The Impossible).
Turning on the movie station, watching the preview of the movie, I don't know why I was moved by the clips, or maybe we all have a home and dear family. The hearts of the family are closely tied together, and when one party is in trouble, they will inevitably worry and be concerned. The family in the play are ordinary people just like us. They were just on vacation and went on a trip. Unexpectedly, they encountered a series of incidents. When in the surging flood, the mother MARIA (NAOMI WATTS) called the eldest son LUCAS. The scene was quite exciting. I hoped that the two would meet soon and hold their hands together soon. Some plots in the film do not seem reasonable. For example, the reaction of the son, the plot arrangement of the family reunion, etc. are all far-fetched, which is a major failure of the film.
Except for "tsunami", which is a stunt, Naihe films insist on using real scenes and characters. For example, in the hospital, real people who have experienced disasters also joined the crew to play extras. I don't know if they have aroused their heavy memories, or the wounds have been healed, which only adds a sense of reality to the crew. I don't know what the mentality of those survivors looks back on, but what is certain is that life needs to look forward. In the scene in the hospital, MARIA tried to chat with the girl sleeping next to her, but what the girl said before the operating room gave her the courage to survive. In times of despair and dying, there is hope in life. Just like in the disaster area, she and LUCAS saved DANIEL, she is the hope of life. The eldest son also put away his indifference in the incident. At first, he was unwilling to save the child, but gradually he saw his changes in the incident with the encouragement of his mother.
Those who know, and those who don't know, have the same expectations, that is, to find family members. But there are also self-serving people in disasters, and even borrowing a phone call is a lot of evasion. The movie is roughly divided into two parts to describe the situation of family separation. The first part is to write about the experience of the mother and the eldest son in exile. For example, with the selfless assistance of the local people, the mother was sent to the hospital in time. Then there was the following experience in the hospital and orphanage. He saw the mess along the way, the confusion and helplessness of people. The second part is a piece of father and two children. The victims seek their relatives from each other, help and encourage each other, and take care of each other, which is another scene. The parts of mother's love and father's love reflect each other, and a woman's concern for her son is affectionate, delicate, and tender. A man's love starts from his eyes, is firm and full of courage.
Although the brilliance of humanity shines, the movie is also very loud at the upcoming Oscars. Personally, I think that the heroine's performance and dedication deserve any awards, which is also a breakthrough for her. From the usual image of Reese Sven in the movie to the fact that this time, it is a major breakthrough for the beauty, and for the audience, looking at her body is even more psychological damage. And the actor's solid acting skills, playing the role of a loving father, are very good. On the contrary, what cannot be ignored is the young actor who plays the eldest son. He has already won the Child Actor Award in the industry. It's not up to us to decide whether a movie deserves an Oscar or not, but there's a lack of rationale for the level of honesty in the race for best picture. The arrangement of the overall film is inevitably cliché, and it only relies on warmth and sensationalism to infect the audience. With the performance of the people in the play, let's see if the Oscars will turn the movie from "impossible" into "possible".
Text/Dorothy
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