I chose to live in the fairy tale town created by Wes Anderson on a rare Saturday night. The film, as always, implements his strong and pure color aesthetics, as well as the almost paranoid symmetrical composition style, which is delicately and truly narrated in the way of stop-motion animation. A light comedy fairy tale with a sense of healing. The trembling hair caused by the facial expressions of the fox family that appeared several times in the film is impressive, and the fox son's perverse quenched posture is very similar to that of a young man who wanted to pretend to be mature in front of adults. US. From the very beginning, he was hostile and envious of his sojourn cousin, who was favored by adults and his outstanding athletic talent. When facing the existential threat of foreign evil forces, he grew up rapidly through various experiences and realized that although he was clumsy and small, he could He is still different, and he has also completed psychological self-redemption in the rescue of his cousin's life. This is just like a child's ignorant and stumbled growth process.
As the protagonist, the fox father combines a willful and uninhibited youthful feeling, but also has the decisive courage of an adult and the responsibility and responsibility as a husband and father. Combining smart, conceited, and middle-of-the-road, he fought against the evil forces and finally won the victory unexpectedly. In addition to Director Wei's distinctive aesthetic style, the film also opens up a vast and peaceful, quiet and magnificent pastoral scene from a childlike perspective (the warm romanticism permeated by golden wheat fields and red land) and almost every child once dreamed of. He lived an idyllic tree-dwelling life, and the beautiful pictures brought visual comfort to the audience like food.
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