-------------------------------------------------- -I
was in college when I watched the first Bourneage. It taught me two things: first, even with amnesia, the human body still has a mechanical instinct, which is connected to the question of "who am I"; second, men are in deep danger, let the lover leave first, and then there will be a period, not Taking her to the end of the world, this is what a good man does. But no one expected that the protagonist Jason Bourne became a generation of civilian idols, and the sequel has been filmed until 5.
Obviously, I'm ignoring the action scenes. The documentary sense of handheld photography that has become the style of this series and led the trend for a while and accelerated editing makes the action scenes of this episode more and more dazzling. The car chase scene is a hand-to-hand fight between cars and cars. CIA agent Essett's destructive power to urban vehicles and public places is comparable to that of terrorists. Bourne, who played black boxing as a Russian in Greece, knocked down his opponent with one punch the first time, and deliberately didn't fight seriously the second time. He didn't quickly solve his opponent until Nikki, the girl he trusted most and helped him find his identity, appeared. The action is actually a drama.
The heroine of this episode is Heather from the CIA. Her eye makeup is very heavy, and the makeup is often used by the hard girl and the femme fatale. The suspense of her identity as an enemy or a friend makes the audience doubt her position and motive for helping Bourne. Director Dewey was present, but she preemptively fought for the leadership of the Bourne raid operation in front of the leader, throwing out the chips that she had been loaded into the Trojan horse tracking program, with deep scheming and strong work ability. But the wily Dewey neglected the energy of the utilitarian woman's heart wearing the mask of idealism.
Karul, the boss of Deep Dream Company, is much like the young idols we are familiar with in the fields of technology and business. In the dilemma of defending citizens' privacy and freedom and worrying about national security, Karul fought for the former, but he could not get rid of it. He was under the control of the CIA, and his partners betrayed him. Heather, the new superintendent, was his classmate at Stanford, and she was confident in continuing to control this man who was trying to change the future of mankind. Are they really that kind of people? horrible.
If the above dilemma is biased towards the latter, it will produce killing machines like the Byrne of the past and the Esset of the present. The dirty work of the CIA is easily framed for Islamic terrorists, and the agents do not need to know. In this story world, Byrne is extraordinary in skill and wisdom, but he is the most simple person. He only wants to understand the cause and effect of his past, and the detail of staring at his passport reveals his patriotism. The details are also done enough in the secondary characters. Smith was told by Byrne to meet within 15 minutes. His eyes fell on the large number of photos of his wife and children on the table, indicating that he was weak and insecure. A focus locked on him, and the audience was instantly nervous. However, this was Bourne with a telescope, not a gun. The director just induced the audience to follow the camera.
Outside the meeting between Carell and Dewey, there were various new trackers on display, which Bourne stole. This is both an irony of the events on the field and a foreshadowing that Bourne will eventually see through Heather's ambitions. Power-hungry utilitarian women are unreliable, and Byrne is a smart loner.
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