I have to say that the scenery at the beginning of the movie is really a little impactful!
A song of Edelweiss is so good to hear the slag (Hu Yifei sang it in the love apartment)! And the background music Salzburg Montage that appears many times! Makes you feel like you are not watching a movie, but dreaming.
There are some descriptions of the movie's piercing shots on the Internet, but what I am puzzled is: don't the seven children like to tease the teacher very much? Why hasn't Maria been teased so much? That frog? forget it! And then she took back all the children in one night of lightning! The turning point is too fast!
Baroness, a very interesting woman. First, she used a clever trick to provoke Maria (even with the trick, it didn't make you feel bad about her), then she planned to send seven children to a boarding school, and finally Maria chose to leave after returning. Compared with Maria, she is less innocent and more intellectual. No way, many people buy the theory that innocence kills everything in seconds.
Except for more than half an hour in the second half of the movie, it completely gives people the feeling of a dream. It wasn't until they came back from their honeymoon that the dream began to wake up. But it is not the feeling of being woken up all of a sudden, but like a lover kissing your forehead, cheeks, lips slowly by the pillow, and opening your eyes lazily in a kind of continuous enjoyment. Even the last few turns were so shy that they opened their mouths, but there was no sound of "ah". The entire escape process was twists and turns, but it was smooth sailing. This is the first time I have seen a director handle the escape with such grace!
In fact, there is nothing elegant about the whole movie!
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