Q: You should like this kind of film.
L: Why?
Q: Don’t you always have similar stories?
L: You are insulting me.
Q: ...
L: I am at least more scary than this movie.
Q: Where do you judge the quality of a surreal work?
L: Is the surreal world of architecture realistic?
Q: Your sentence is a paradox.
L: So you will understand that the surreal mechanism created cannot be faked.
Q: Where is the film?
L: Why should the heroine stay in this order for the week of her husband's death? ! Why hasn't she been completely reversed, or in some other order? ! The artificial sense is too strong.
Q: In the film, it was said that it was controlled by the devil.
L: But there is no plot where the heroine fights against the devil. There is no sign of it. In the end, it's just peace. A good surreal movie, the surreal mechanism in it is first and foremost simple, as simple as the real mechanism, time always moves forward, gravity always downwards, etc., ghost movies, that is, when people die, they become ghosts. That’s all, the film that travels through time and space is that time is reversible and advanced. "The Matrix" is complicated enough. In fact, in one sentence, most humans live in a matrix. The same is true of "Inception". Implant"...In short, a good surreal mechanism must be infinitely close to the reality mechanism, the simpler the better. This film is so complicated, it’s boring if the movie’s main creator is living and composing stories and preaching.
Q: That’s really true. It’s so complicated. Some parts really don’t make sense. Let’s just say the last thing. The heroine watched her husband die. She should have stayed on the scene until the police came. Then the next day, It is impossible for the police to inform her husband of his death—according to the film’s mechanism, only she was dancing and the police did not accompany him.
L: This is called more complex loopholes. Comparing with life's screenwriting ability, it would be self-defeating to behave in front of his elders.
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