I've been in a low mood recently, and I always feel that I'm unlucky. I watched it during dinner and drank a glass of whisky by the way. After watching it, I personally think that the overall texture of the plot is not continuous enough (but the film should not hope to convey emotions through a sense of fragmentation) so that I don't see it as a suspense film; Moving.
Wind River Valley, Indian Reservation, all indications are direct and clear that a young Indian woman, Natalie, was killed by herself six miles from the residential area because of her thin clothes while escaping in the snow after a serious sexual assault. Frozen lung blood choked to death.
The forensic doctor believed that the cause of death should be determined as accident, artificially setting up obstacles for the intervention of FBI agents. The detective visited the parents of the deceased accompanied by the sheriff - when I saw this, I felt that the case was closely related to the local police, six police officers managed a jurisdiction as large as Rhode Island, plus, the sheriff When I was present, the father of the deceased was in an abnormal state. Seeing this, I believed more that the case was directly related to the sheriff. I thought to myself, I can probably guess the subsequent development of the plot. The bitter Scarlet Witch defeated the corrupt and evil sheriff together, and maybe the sheriff was a little hard to say after that. For example, in "The Internet Lost", the sheriff was to protect his son.
The "villain" in a general crime/suspense film is either "appearing at the title - walking the protagonist - being counter-killed" or "all kinds of information in the movie prompt the existence of such a character, he either shows his face or does not show his face". For example, in "Three Billboards", the sheriff hinted at the shrew's mother, "the murderer is not in the federal territory, but will pass through the state border regularly", so that the audience can finally infer the identity of the real murderer and understand who the film is really criticizing. However, in Wind River Valley, the appearance of the real murderer still gave me a rather sudden feeling, probably like "Oh, so it's you(s)?".
The reenactment of the crime is a bit superfluous. Personally, I don't think it is necessary to reproduce it completely. It stays in the two people's lingering, and the drunken man can break in, or even not show it at all. The "villain" inside the door shot and injured the Scarlet Witch directly. It can let the audience roughly understand the origin of these people, and then infer the real culprit. The scene where I suddenly pulled out the automatic rifle and shot the police officer was also shocking to me. The texture of the movie suddenly broke, and it felt like I was watching three movies.
Still, the scene where Hawkeye dressed in white and quickly killed three murderers in the snow made me cry out in my heart, it was so cool. (Hawkeye is on the right in the middle of the picture)
In the beginning, Hawkeye went to the former father-in-law's house in Wind River Valley. In front of the dilapidated tin house, a few Indian youths lit the trash can to keep warm. A nearby wooden pole hung the Stars and Stripes, but the Stars and Stripes did not protect its residents. The intent of the film is obvious here.
But what really struck me, and what I felt the caring about the film was about, wasn't there.
Hawkeye and his ex-wife, Natalie's parents, both suffered great misfortune. Although the misfortune was partly because the Stars and Stripes did not protect the vast land under its banner, as Hawkeye said to Natalie's younger brother, he wanted to. Leaving here is very simple, you can join the army, you can go to university.
Hawkeye also said to the wounded Scarlet Witch, " There is only luck in the city, you won't be hit by a bus, you won't be robbed when you go to the bank, and your mobile phone won't be stolen. In this icy world, you have no luck at all. , you either survive or die, period. It is not the lucky deer that is wiped out by the wolves, but the weak deer. In order to survive, you must fight, and it is because of the fighting that you are alive now ." This dialogue is full One of the warmest and softest dialogues in the film.
In addition, Hawkeye also repeatedly said that Natalie is a fighter.
I think this is probably the message that the creator really wants to convey to those who live on the fringes, who have experienced great misfortune, and are not blessed by luck: We sympathize with your situation, but no matter what, it can't be changed. "In order to live, we must fight. ". Hawkeye must have chosen to continue fighting after losing his beloved daughter, so he did not become depressed, did not drink too much (there was only milk, coffee, and purified water at home), and he still maintained his order and sobriety (and the ability to seduce girls). Natalie's parents may have stopped fighting early because of environmental factors, so they didn't discipline their son well, and they didn't pay much attention to their daughter, and they didn't grieve until her daughter was killed. Wilma fought and she tried her best to run to her parents' location after she was killed, but was unable to save her life. Natalie also fought. She showed amazing perseverance and the will to live, but she was seriously injured and was killed by the severe cold. If she did not choose to escape, the consequences might be the same as her boyfriend, who chose to run barefoot. , she still has the possibility of escaping into someone else's home.
Although the battle is not necessarily to survive, but in order to survive, we must fight.
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