movie begins with a cruel death of a mother, but leaves his son Deniz, and then interspersed with the dim scenes of his father Sadik being in prison and being tortured. Deniz grows up and turns into a cute wife who appears before us. In front of him, the age of changing teeth exudes cuteness even when he smiles. The conversation between Deniz and the babysitter revealed his character. A child who is full of fantasy and loves romantic stories also paved the way for his various fantasies in the future.
The estrangement between Sadik and his father, the film tells the story through pictures and dialogues. In fact, it is not difficult to understand that an anarchist intellectual youth, of course, is separated from his father who insists on tradition by an insurmountable gulf. Even this kind of incomprehension is a kind of whole mankind, and it also happens under different cultural backgrounds.
Sadik, an intellectual who has experienced strong winds and waves, of course knows the embarrassment, but he has no way to explain it to his young son. Fortunately, except for his father, the family welcomes their arrival, rich food, happy family When traveling, the old father would be alone every time, but he gave Deniz a familiar transition and made him familiar with this other home away from Istanbul.
And the kind of natural connection between grandpa and Deniz is far easier to get close to than the indifference between father and son. Perhaps "passing generations" is also a human habit that crosses national cultures. Even if you have never seen this grandson, it is still easy to accept Up him.
It's just too stubborn to buy children's books for his grandson quietly, and stubbornly lose his temper at the boss, and keep his grandson away from the "secret room", which all fit the character of this character. It even fits the role of grandpa in many people's hearts. It is not so easy to come into contact with, but he is irritable but actually doesn't know how to express his love at all. At least my grandpa is roughly like this.
This grandfather quarreled with his wife, quarreled with his sister-in-law, posed with his grandson, and sulked with his son, all of which brought a lot of jokes and were more real. This is life, no one is perfect, especially those you are serious about. But in fact, there is unspeakable love in my heart, deep love.
Even sometimes I feel that such a movie seems so difficult to make. Telling a story as true as possible may be the most important reason for its success.
The climax of the movie is Sadik's conversation with his father when he is drunk and slightly drunk. They even chose an oppressive soundtrack to try to reinforce the importance of this conversation. The son wants to "live his own life" and feels that everything he has is his father's choice; the father thinks that his son's selfishness also harmed another woman. This conversation really clarified the ins and outs of the matter-Sadik wanted to find a place for his children to grow up, and was afraid that he would "not even be able to raise a child".
Sadik is a young man who yearns for freedom and desires to appeal to the whole world. In the face of ideals and life, he said that "the whole heart seems to be burning." At this time, I thought Sadik was seeking a shelter for his son, and then went on fighting, but a clever movie sold another close. At the end of the conversation, Sadik fainted to the end, revealed the fact that he had been tortured and abused, and took care of the fact that he was imprisoned in a dark and damp room that appeared in the opening of the film. The performance of a group of actors is also staggering, real and heavy.
And this kind of thing happened in many stories we heard, persecution, struggle, for the sake of ideals. Of course, this is not a political movie. Family affection is still the most important thing it wants to express. The love of father and son, love of father and son, love of brotherhood, love of grandfather and grandchild, and love of sisters are intertwined. In fact, they are very similar to everything we have experienced personally, but we don't often think of it.
In the end Sadik died, leaving his father in grief. Even on the way to the funeral, he almost went crazy. The scene had an absurd look, but it made sense. You can't stop a person who wants to move forward. What's more sad is that Sadik also left behind a lonely son. No matter how his family takes him to play, he doesn't laugh.
The child is about to cry after all, and his crying makes the family members who have been depressed for a long time unable to bear it. Grandpa said, "Go, I'll take you to see Dad." This time, he took Deniz to the secret room, and the family to the secret room. There, he used a screening agency to frame a memory of his son. The past of his life is pieced together here, and he also took care of what Deniz said, "I want to see what a dad at my age is like".
The time space and memory are intertwined here, and the two immature children meet in this way, a kind of life is opened, and that life is no longer alone.
At this time, I was thinking, besides family affection, what else is left of us.
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