Extremely exaggerated stage artistic expression

Vivienne 2022-04-21 09:01:32

The entire film is set against a giant stage backdrop - here the stage is both real and imaginary. And the actual "stage" means that everyone in the play is performing all the time, and everyone takes the meaning of their existence in the eyes of others, and in this way, the meaning of existence that points to oneself disappears (this naturally includes that Mr. "Transparent", his image in this play is pathetic, pitiful and ridiculous, like a harlequin in Chinese opera; and his lyrics are obviously sad about his "transparency", which also shows that he wants to escape from this transparent state of being).

False birthday. absurd. Here is my overall impression of the show. "This is Chicago." Maybe this is also the irony the director wants to express, the irony of the way the whole society works, the way of each individual's existence; questioning whether the way our laws work is really reasonable? What kind of role is our media playing? The law is caught in a cycle of serving money, and the media is caught in creating a stimulus for people, and people are caught in a sad cycle of chasing it and consuming it.

When we analyze a literary work, we always refer to "image", and the important value of image is that it contains not only superficial meaning, but also implicit meaning. Film and television works make such "images" more visual and specific. In this play, the use of "images" is an artistic technique that can be called exaggeration, telling the absurd real world.

(A little personal impression, although I haven't seen many musicals)

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Extended Reading

Chicago quotes

  • Billy Flynn: Miss Kelly, do you know the meaning of perjury?

    Velma Kelly: Yes, I do

    Billy Flynn: You also know that it's a crime?

    Velma Kelly: Yes

    Billy Flynn: For example, if you knew this diary was a fake, I'd hate to see you rot away in prison especially since you just won your freedom...

    Velma Kelly: Look, all I know is what I was told!

    Billy Flynn: Oh, so you didn't find this diary in Roxie's cell?

    Velma Kelly: No. Mama - Miss Morton gave it to me. She said someone sent it to her

    Billy Flynn: Someone... did she have any idea who this mysterious benefactor could be?

    Velma Kelly: [Irritated] No, she didn't know!

  • Mona: I loved Al Lipshitz more than I could possibly say. He was a real artistic guy, sensitive, a painter. But he was always trying to find himself. He'd go out every night looking for himself. And on the way, he found Ruth. Gladys. Rosemary. And Irving. I guess you could say we broke up because of artistic differences. He saw himself as alive. And I saw him dead.