The "Meet Father-in-Law 3" series has reached the third part of today, and it should be said that it is becoming more mature, more vigorous and simple. Greg has been promoted from an ordinary nurse to a head nurse. As his position is upgraded, his seniority also follows. Of course, one of the children can’t just arbitrarily say that he is not a competent father just because he is unwilling to communicate with him. Ben Stiller's performance has become more and more exciting, and it is no wonder that he has gradually replaced the king of comedy Kim Carrey in people's hearts. Although he tried to make a transition, from the point of view of "Lingshu 23" which tested the waters, it failed abnormally. Ben Stiller and Adam Sandler are the pillars of the current North American comedy movie stage.
There are so many people in marriage issues that have always been the focus of the film's discussion. The screenwriters are also willing to describe the moments in life to interact with the audience in thought. Among them, "extramarital affairs" is the hottest and most gimmicky element nowadays. Mental derailment has many benefits compared to physical derailment, so there is no need to go into details. The protagonist of the follower movie is immersed in flowers and weeds, and is happy about it. Isn't this a mental derailment? For this reason, Jessica Alba's role positioning and image are vivid and won the favor of the audience. Sacrificing the subversion of hue seems to be something she is accustomed to. A series of works such as "The Killer in the Heart" and "I JUST HAD SEX" MV, let people appreciate the special style of "Invisible Woman". In the film, she is very nervous and there is no lack of performances outside of the wandering corpse, which is indeed a rare flavoring agent.
The most interesting thing about "Meet Father-in-Law 3" is that it doesn't raise the plot point sharply, but still follows the simple and unpretentious line of the parents. On the contrary, the "New Oolong Girls' School" series, although it is a bit nasty, but portraying each and every loli with perverted personality in place, even if it is only set in the most ordinary campus life, it is acceptable. Casual dessert. But when it came to the second part, I couldn't bear to pull out the rotten grains of Chen Zhizhi lonely. "Unbelievable", this is euphemism; "Pure nonsense", this is the portrayal. Robert De Niro's father-in-law, except occasionally boasting of his former spy status, his image is always a dying year with a naive atmosphere, and he wants to keep the whole family safe in order to support the sky. Lovely old man of the year. A slightly exaggerated modification, similar to "Do you still feel about my daughter's body", who can say that this is not something that many father-in-laws want to ask their son-in-law, and it is absolutely difficult to tell? This is the strongest voice in the conversation between father-in-law and son-in-law in the world.
Looking at the various characters in this film, you can find the similarities with other films. Greg's mother has a bold personality, delicate emotions, open-minded, and promotes the "Sex Classics" with great fanfare, and she also uses her son to get rid of it from time to time. This is exactly the same as the image of Chanler's mother in "Friends". It is true that Owen Wilson is playing soy sauce, but the sincerity and simplicity of his role are tied to his own. According to the style of life that should be drunk and gold, it forms a strong subconscious contrast. In the early "Crossing Darjeeling", he was the most pious one of the three brothers in seeking relatives. Looking forward to his new work "Midnight Paris", I would like to continue this lightness and elegance. In addition, there are a lot of exaggerated jokes necessary for the film. The section where Greg cut the turkey inadvertently bloody, reminded me of the filthy bed of the bad guy in "Guessing the Train." At the end, the father-in-law and Greg beat each other, pushing the farce to a climax. In the end, the two families got together again. As soon as the chattering started, there were still endless quarrels, as if presenting a never-ending development trend.
In fact, I hope that the country will also try to make more movies that focus on people's livelihood and reflect the daily lives of ordinary people. Rather than those, either it is a niche literary film with too strong artistic decoration and lack of authentic texture; or it is a feasting, love and love under the trend of money-worshiping pleasure; or it is a kitsch, vulgar, and nutritious copycat comedy; or It's a dull and boring cold meal. It does not require how unconventional the plot, how broad and profound the meaning is, sometimes the plain, true core, it is precisely the most touching.
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