"your name. "It should have been released two or three years ago, but I was against it at that time. I can't remember the reason clearly: not to the taste? Creative too vulgar? Is the story too hypocritical? Or do you despise popular movies? emmm, there should be all these reasons... I said Xin Haicheng "painting dreams", not an adjective praise, but a plain statement. "Dreamland" is the overlapping of time and space, and it is a complex field. I guess that Makoto Shinkai should be a person who will try hard to recall and record dreams, and maybe try to have continuous dreams (this also shows that he has the ability and consciousness to control dreams). This kind of "training", reflected in the film, shows a strong ability to control time and space, and can orderly interspersed and alternately unfold the narrative in the time and space of the hero and heroine / the hero and heroine whose bodies are interchanged / three years before and after. The hero and heroine will try hard to remember each other's names, try to return to the previous stage of time and space, and want to continue and retain it. Isn't this the experience of "dreaming"? Everything is unfamiliar and familiar, as if past life experiences, and so on. what! I suddenly understood why I hated "Your Name." "Re: When you get rid of the story structure, sub-shots, and painting art, "Name. "The emotional drama is very thin and lacks strong foreshadowing and support. The role of the Gongshui family would be more interesting if more writing was added, but it stopped at "mother died, father chose to go into politics". It was a waste of the setting that all the women of the Gongshui family could travel through time and space to exchange bodies! This way, it can better connect the feelings of the members of the Gongshui family! As for the emotional scenes of the hero and heroine...I think this may be a misunderstanding...I can't talk about liking each other at all, just looking for the truth of each other's memories. However, one man and one woman, who are dry and fiery, would be boring if they didn't create some sparks, so I guess that this kind of "forced liking" setting is more like a business decision. So I didn't understand it very well back then. Everyone's tears were so low. When I saw Riman's Xiaoqingxing + the hero and heroine in love, I could cry so much, it was too hypocritical. So no interest. But one thing still touched me: the falling meteor showers are so gorgeous, but who could have guessed that they are the messengers of death. But then again, Makoto Shinkai is quite amazing to be able to tell a story with weak feelings so fascinating.
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