The adolescence that I spent with Xin Haicheng - also known as the years when I was trapped by Brother Cheng!

Alessandro 2022-04-21 09:01:43

I became attached to Brother Cheng at a certain station. One day, when I was watching the inventory of abusive animations, I saw the famous depressing masterpiece "Five Centimeters Per Second". Since then, I have fallen into a big pit named Xin Haicheng, with delicate emotional descriptions. It has always been his specialty, and every emotional collision can resonate with the audience (more obvious with personal experience), and the BGM that always sounds at the right time affects our hearts.

"If there are reincarnations in life, no matter how many times I will go to you," the second 5 theme song sings, but the reality is the opposite. The hero and heroine did not come together due to various practical reasons. , only a touch of helplessness, and finally passing by in front of the railroad track, it pushed the atmosphere to a climax. First love, it was difficult and dangerous to reach each other's side. In the end, with the passage of time and the coercion of reality, they failed to come together.

If the second 5 is more about telling the helplessness of reality, then this king's name has incorporated more fantasy colors, adding elements such as time travel and time back, and the final HE is even more for the fans of Xin Haicheng. Put down the moving bricks and blades that had been raised in his hands. (I didn't watch any spoiler and gun version before going to the cinema. After seeing another "passing by", I almost wanted to send him a blade 233)

The picture of Junming is undoubtedly inherited from Xin Haicheng's consistent style, restore the real scene. I even felt naked-eye 3D in a few scenes, which is definitely not to be missed by viewers who like landscape films. Just this, you can feel the sincerity. The amber at dusk, the fleeting meteor, the maple forest in late autumn, the forest after the rain, each scene is vivid and it is definitely a visual feast.

After changing the depression in seconds 5 in the past, Jun Ming set up a lot of jokes, and the ending is also HE, which opened up the audience (after all, it should be a minority who love tragedy like me?) At the beginning, the hero and heroine exchanged their bodies. Interesting things, go to school with loose hair, can't remember where I work, unaccustomed to the name, etc. It is not uncommon for the whole movie audience to laugh at Mitsuha's self-title after he possessed Taki's body.

Let's talk about Makoto Shinkai's weak point - content. Judging from the second 5, the whole film does not tell a complete story, but is divided into three chapters according to age groups, narrating the emotional experience of the male and female protagonists in different age groups. The name of the king is different. Brother Cheng set up several foreshadowings before and after. For example, the Taki that Mitsuha found was Taki three years ago. At that time, Taki didn’t know Mitsuha, so he didn’t recognize her; Mitsuha’s mouth chewed The wine also echoes before and after, and there is a foreshadowing for another world.

As a road fan of Brother Cheng, it is still comforting. Brother Cheng can tell a complete story!

Now let's talk about my own shortcomings. For example, why did the three-leaf father suddenly agree to the temporary drill? Don't you still think there is something wrong with her mind? Don't read the newspaper and the time around while swapping bodies? Why didn't you realize the time difference was three years? Was the ending too hasty? Is it okay to force HE? And so on and so on, but this does not affect Jun Ming becoming a masterpiece of the year. It is also the best work of Makoto Shinkai so far in my heart.

To sum up the above sentence, Brother Cheng, when will the next movie be released! I have prepared the ticket for you!

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Extended Reading
  • Ken 2022-04-23 07:01:39

    I'm tired of missing out

  • Octavia 2022-04-23 07:01:39

    You can see everything of Makoto Shinkai - long-distance love, passing by, magnificent scenery, music video-style editing, foot control, and annual control. Narrative skills have improved a lot, leaving Mamoru Hosoda far behind. Although the "big battle" part is still too weak, it may be impossible to expand due to space constraints. (Also, it’s a pity not to go to the cinema to watch it, this is not the kind of animation that you can watch pirated copies on the computer)

Your Name. quotes

  • Shinta Takagi: How could you get lost on the way to school?

    Taki Tachibana: Uh... Well... I

    [watashi]

    Shinta Takagi: Feminine?

    Taki Tachibana: I

    [watakushi]

    Taki Tachibana: ?

    [2 boys are confused]

    Taki Tachibana: I

    [boku]

    Taki Tachibana: ?

    [2 boys lean and look at Taki in more confusion]

    Taki Tachibana: I

    [ore]

    Taki Tachibana: ?

    [2 boys nod]

  • Yotsuha Miyamizu: I see you're not touching your boobies today. Breakfast time!

    Mitsuha Miyamizu: My boobs?