There are many moments when emotions are surging but silent and long. I was relieved to see that I thanked Shunji Iwai at the end of the acknowledgment.
Xin Haicheng's control of rhythm and emotional guidance has risen to a new level this time. After so many preliminary preparations and details, everything came naturally.
At that moment, the comet crossed under the sky, and the song of RADWIMPS sounded, and I couldn't help but burst into tears. At that moment, I wanted to cry. I thought of Shunji Iwai. The two people who crossed in time and space shouted each other's name loudly. It seemed that they had met, and it seemed to be an illusion. It was very similar to Hiroko Watanabe in the snow in Otaru in "Love Letter". Shouting how are you, I'm fine scene. If Fujii Tree at that time could see this scene, he might have touched Hiroko's head very gently, and said with a wry smile, "I'm sorry... I promised to take care of you, and also, that secret was finally discovered by you.
He may also have seen the tears left when the girl Shu opened the back of the library card, and silently said to the girl he could not see, "I like you". Just as Mitsuha fell to the ground, spread out her palms in despair, and found that what Taki left for herself was not the name of the other party, but the sentence, "I like you".
Mitsuha went to Tokyo and met Taki on the train, stunned and surprised, dazed and shocked, suspicious and wronged, "Taki, do you remember me?" "I don't know you, who are you..." "..."" What's your name?" "Mitsuba, my name is Mitsuba!" And isn't this scene the scene where Tetsuko Suikawa confessed to Masashi Miyamoto in "Flower and Alice"? "I love you." "What do you mean?" "Secret, goodbye." "What do you mean?" "Secret."
Shinkai Makoto and Iwai Shunji have something in common, they appreciate and salute each other. So I think of the intertwining, unrequited love, sense of distance, etc. in all the works, and I can see the shadow of Shunji Iwai's works such as "Fireworks", "Love Letter" and "April Story". Similarly, when shooting "The Murder Case of Flower and Alice", Shunji Iwai also repeatedly observed and learned the essence of Makoto Shinkai's works.
As if he had deciphered the secret code left by Makoto Shinkai, when he recalled the above details, he couldn't help but smile.
Laugh and cry, cry and laugh. It is true that as Mr. Shi Hang said, this film is "a talisman". Watching such a beautiful film, I seem to gradually understand the meaning of the film to us. Those beautiful feelings and powerful world views are all dialogues between us and ourselves, allowing us to understand the world and ourselves better.
Thank you, thank you Shunji Iwai, thank you Makoto Shinkai. Let me see the stars in the night sky shining brightly with the brightly lit city, and see the tram passing through high-rise buildings in the morning light, and the reflected light scattered on the cheeks and skirts of girls; The rustling of snowflakes, the long sound of the tram across the track, the mechanical opening of the automatic door, the breeze blowing, the breathing suddenly stopped. I also thank them for letting me see youth and firmness, courage and fearlessness, the once lonely heart can be redeemed with warmth, and the past things do not lose their meaning because of forgetting; let me hear loud words and undisguised emotions, Hear the frequency of the heartbeat that is gradually being chased by care.
So great, Taki and Mitsuha finally meet again.
So great to meet "Your Name." "Such a work that hits the heart.
View more about Your Name. reviews
