Japan's アニメこそが "Supreme のアニメ" である thing を 思い Zhi ら せ て や る! ! !
Whenever the domestic media reports with big headlines that American animations have exploded at the box office in China again.
Whenever domestic film critics analyze the depth and philosophy of Disney animation in the tone of Sartre and Beauvoir.
Whenever there is one question after another on Zhihu, "Why is American animation so good, why can't Japan do it?", I was also invited.
In my heart, sadness flows into a river at a 45-degree angle.
Please allow me to shout out loudly: I have had enough of Disney’s juvenile animation
. No matter how good Disney’s 2D animation is, no matter how strong the 3D animation technology is, no matter how rich the connotation, no matter how Hamlet, no matter how modernism, it The first target group is also children, vent! It's obviously just a subtitle, and everyone has to analyze the fate of the society's sorrowful reflection on the society's struggle. It is simply the new clothes of the emperor of the animation industry, no, it is the political correctness of the animation industry!
And the younger the position, the higher the proportion of singing and dancing. Whenever I watch the protagonist/villain sing and dance in the theater, my face can't help but hang on the faces of people in the first three rows of the Great Hall of the People. That look. Isn't the way Pixar uses MTV to insert songs very well? Can't you learn it?
However, there is no way, who told people to have more audience and higher box office? BITES THE DUST
's domestic introduction of Japanese comics took a lot of detours. Hayao Miyazaki could not be introduced due to historical reasons, so the introduction is basically based on popularity as the first consideration, whether it is Conan or Doraemon, they are all naked feelings for money. In fact, everyone knows that if you watch movies from the Internet, these emotional cold meals are not the first choice. Everyone is always chasing the latest and trendiest animations in the mainstream of Japan. But after all, the two-thorn salamanders have watched pirated copies for 20 years. If they don't play the emotional card, will everyone spend money on tickets?
"Your Name" finally gave the answer. Thank you all, every movie ticket you donate will become a bullet that the Japanese shoot at the Americans. (laugh)
—————The following content is aimed at the true animation fans who started to contact Shinkai Makoto from "The Voice of the Stars" —————
Makoto's animations can basically be divided into two categories: Japanese drama series and world series. Both have been successful before, so Makoto Shinkai must be thinking about how to combine the two. Star Child is a failed experiment. What are you copying is not good? You actually copied "The Me at This Moment", but through the production of Star Child, Brother Cheng brought the experience of working with the regular animation team and laid the foundation for the production of Jun Ming. Base.
The success of Jun Ming lies in the organic combination of the two major elements of life emotional drama and the second saving the world. The life and emotional drama of the hero and heroine are obviously inherited from the second five - when the ending pays tribute to the second five ending, I want to stand up I applauded, but I still didn't feed the shit in the end. It's a pity, I remembered that shit last time for several years, ╮(╯▽╰)╭ . This part of the plot of the world department can be called a genius. Shou Jiang's successful "Summer Wars" is to link family affection and saving the world. I don't know if Brother Cheng got inspiration from it. Because the two of you are in a bad relationship, the world is going to be destroyed, get well soon!
Thinking about it carefully, apart from the earth-shattering trick at the core of the plot, Jun Ming's other are all old-fashioned stalks, but Brother Cheng's genius is not covered. I jumped to that shocking TRICK immediately before I started complaining. The second half of the plot came to an abrupt end at the climax and switched to the ending full of small and fresh fans. This kind of divine rhythm appeared in the second five, and the name of the king proved that it was not accidental.
Junming's excellence depends on hard work, while Junming's success depends on genius.
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