Hmm... how did I watch the third child?

Henderson 2022-04-22 07:01:07

There are certain signs in life that may have once made us think that we are extraordinary. Neshamalan's interpretation of multiple personalities out of reality due to a huge self-fear or trauma is another superhero talent ability. In an attempt to let the world see self-existence, awakening, facing self-doubt, and finally sacrificing self-martyrdom, the mix of various film-type languages ​​is just another wonderful popular science and selfish interpretation of the hero formula. Powerful and resourceful villains are set, but their own weaknesses are also the strongest and most powerful, and the contradictions inherent in real human nature are fascinating. Life itself is a tragicomedy, and we struggle with it. Different from the "superhuman" and "hero" that are dealt with in commercial film vocabulary, in Naishamaran's cosmology, it is enlightenment, a self-destructive romance of artistic character, and "hero comics" has become another real world existence under the skeptical view. with human beliefs. "They always underestimate the mastermind" is a powerful language that ignites everyone's heroic feelings, rehabilitates those who have doubted because of their unique self, and a willful resistance to the banalization of the system.

Kamille 2022-03-22 09:01:34

David Dunn's first appearance in Punishment appeared on the video and the Internet. In contrast to the final reversal, in a "contemporary" environment, "cameras" are always ubiquitous. In the same way, the people who watched the video that was passed down in the end were just like the audience watching this superhero legend outside the "camera". The monitor inside the play and the camera lens outside the play formed a subtly echo. As Glass said, he's not going to be an ending story, but an origin story and kindle the fire. The nearly lengthy foreshadowing of the mental hospital tries to make the audience outside the camera also fall into a state of suspicion, continuing with the theme of "believe" in the undead catastrophe, but Mr. Glass's elusiveness is not close to the bug. The use of flashbacks is close to the point of flooding, just to illustrate that the awakening of the protagonist's ability always has a tragic childhood as the source. The front is really not good enough, but the reversal at the end is quite amazing, completing the construction of the world view. Only Shyamalan dares to take such an anti-climax filming method, turning the manga into a superhero film, and the characters correspond to the comic heroes: "Did you know that Superman can't fly in his first appearance?" Mr. Undead in a cape!