A murder case on the Orient Express full of plastic political correctness, plastic reasoning, and plastic justice. The director's narcissism makes this film seem like a silent diaphragm, which made me look forward to it for a long time in vain. The 1974 movie and drama versions are far better than this one. Also: In the sixteenth century without modern industry, the Baroque style was an amazing visual experience. However, the baroque light and shadow in this film, the thief light that often flashes in the eyes of the characters, is really deliberately made to make people very playful.
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