The two-and-a-half-hour literary film also travels more frequently than "The Fountain of Love" ("The Fountain of Love" is only a three-space and two-character crossover, and "The Man with No Name" crosses seven spaces, to be honest I really don't understand after reading the movie review spoiler), after 150 minutes, more than half of the brain cells died. However, the suggestive remarks about the "pigeon superstition" and so on are still worthy of our consideration. This movie will not be as empty and repetitive as boring scenes like "The Fountain of Preservation". When I was able to put the details together, I suspected that my brain cells were all dead.
All kinds of large areas of color, empty sandy beaches, leaves that carry fate, reticulated decorations in all people and rooms, and so on. Not much to say about artistic techniques.
What I wasn't interested in at the beginning of this movie was seeing a one-sentence introduction, a love crossing between a man and three women. The impression is very bad, either the Moonlight Treasure Box or Qiong Yao's romance.
The charm of this movie is that it all happens after these clichés.
In the same plot as "Go Left, Go Right", the last two protagonists finally met again after many years through various wonderful coincidences, got married and had children, but the man fell into the water and died, so the ending became "City of Angels"; if They did not meet again, they lived separately, and the ending became "Eighteen Spring" or "Whenever Changes".
Another line, the "King of Comedy"-like plot, if he finally gets married with a rambunctious girl, but is killed in an accident as soon as he leaves the church, it becomes a tragic "Romeo Juliet"; if he sees that the bad girl is still making out with others If he didn't submit a love letter, then he would lose his mind and race to death. (This kind of plot usually only happens to supporting characters. I can't think of any movie with this main line.); They got married and had children and had three children, but The relationship broke down and the wife was tired of these lives, so the plot developed into "The Kramers".
If he submits a love letter and the bad girl refuses, then he will get angry and marry another girl he doesn't love, and he will become a rich man with a house, a car and children, but he has no feelings. Last Dreams.
When the vulgar love themes we've all grown tired of are all organized together, the effect is less unrealistic. "Impractical", I like to use this word most to express my disdain for those romance films. They are all handsome guys and beauties. They are all handsome and beautiful.
Various endings, various unexpected deaths, various crossings, various starting points. When "a lover finally gets married", it means the arrival of a death; when the lost in the sea of people can no longer meet, there may be several beautiful encounters. After all, the love drama is more beautiful if it is sad.
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