Then the previous experience of watching the movie will be described by a professional with the most accurate words and sentences
, instead of asking me to rack my brains again to write a satisfactory after-view after the magical end of all this.
—— Generally speaking, it is an impossible task.
Director Mark Foster's last work: Finding Neverland, although Xiaoqiang also participated in the role, but due to various reasons, mainly due to poor translation, I failed to please me
this time . , should I focus on thanking screenwriter Zach Helm? It has the same effect as Charlie Kaufman's "Puppet Life"/"Adapted Screenplay" many years ago. A clever idea, I didn't take it seriously when I read the introduction, because it would cause some conceptual associations with the Peng Shi brothers' "Mythical Creatures". Of course, one is a light comedy and the other is a horror film, and the routes are naturally completely different. The structure of the whole story is very good. I don’t know if it’s the screenwriter or the director or the crystallization of the cooperation between the two. The skillful use of voiceovers, the skillful use of CG animations, and the clean editing make the two lines embedded and embedded concise and smooth. The rhythm is orderly, and the final ending can be considered to hold up (after creating such a big suspense in the front! The more I see the end, the more sweaty I get for the movie), although it is still a little short of my expectations. . . I had to console myself, this is still an American film after all. . . However, during the march, it can be called witty, and the lines are great! At one point I almost thought Marco Foster was going to start talking thoroughly about narrators and narratology. Several of his films have this inclination and preference, which surprised me a little, but maybe the production has a STOP, The director also had to stop and tell the story first. Academia in American films? Let's take it easy for a while (all of the above are someone's unscrupulous imagination).
EMMA THOMPSON, among all the actors' amazing performances, she has become the most dazzling one, no doubt about it. Just a backside appearance enables the audience to capture the entire emotional state of this writer who has encountered writing obstacles, BRAVO! Speaking of which, the first time I really appreciated this woman's performance was when I was a fan of DANIEL DAY-LEWIS. She played the female lawyer who sued for LEWIS in "In the Name of the Father" starring the latter. EMMA is not a slender stream of performances with subsequent bursts of performance. She is the master of the full explosion from the first shot she is given. Whether it is a female lawyer or a famous writer, as soon as she debuts, she is full of drama, all tension, called One can fall into it at a glance. From a certain point of view, EMMA's play is a Chinese splash of ink, a Western image of a beast, but behind the strong publicity is a painstaking brewing, which is accumulated little by little.
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