Watching this movie, I burst into tears several times, and I cried with him all the way when Salo got lost.
At the beginning of the story, Salo jumped off the train with Gudu to pick up coal and exchanged coal for milk. Thad held the milk he got in exchange tightly in his hand, and looking at Salo's little hand, I was very afraid that he would lose his grip and spill the milk.
Gudu said he was going to work the night shift. We don't know what he was talking about. He probably climbed the train to steal coal. Salo also wanted to follow, but Gudu couldn't beat him, so he let him follow. Saro was so sleepy that Gudu had to leave Saro on the stool. When the movie saw this, I complained about Gudu's carelessness and irresponsibility, why he left such a small child in a strange place. Near the end of the movie, I learned that Gudu died that day, and he wouldn't be willing to leave Sarro alone for so long, but he was hit by a train.
Salo got on a train by mistake, drove for days and nights, and arrived in a city where he couldn't even speak the language. When Salo just got lost, he didn't know the dangers of the world. He used his little hand to pull the hands of those adults, and said the name of his home, hoping that someone would take him home, but he couldn't find it. After getting off the train, Salo stopped crying because he knew that crying was useless.
But for a moment, he couldn't help it. We are all the same, always hold on when you are hurt, because you know there is no one behind you, but once someone shows concern for you, you will show all the grievances. Salo walked blindly all the way. At night, he saw a group of children sleeping in the tunnel covered with paper sheets. He watched them from a distance, but did not dare to approach. One of the children took out a piece of paper and put it aside, motioning to Salo, Salo walked over, lay on the paper, and began to sob.
Salo woke up in the middle of the night and found that the surroundings were in a panic. The strong and powerful adults grabbed the child on the shoulders and continued to grab other children. Salo escaped, fled to a place dedicated to the god, and slept beside the god. Saro is a God-blessed child.
After dawn, Salo went back to the tunnel and picked up the piece of paper as if this were his home.
Salo learned to pick up rubbish for a living, and fell into a wolf's den, but escaped.
The child blessed by God, Salo met an angel (it would be inappropriate to talk about two beliefs at the same time), handed him over to the police, and was admitted to an orphanage.
The staff who did the adoption procedure said, I'm taking you out of here. Salo turned back and asked, have you really looked for my mother? At this moment, I knew that Salo knew everything, he knew everything that was happening around him. Children have keen senses, but adults often think of children as idiots, in short, children as human beings.
Salo is lucky to meet a kind adoptive father and mother. A year after adopting Salo, the adoptive parents adopted another child. This is a flawed child with masochistic tendencies. He doesn't know when he will hurt others, and it cannot be cured. He is a "crippled person" all his life. I thought, when I first discovered that this child had masochistic tendencies, why didn't I give up raising him and let him become the shadow of a family? If I just raised Saro, life would be much happier in the world, Salo is handsome, sensible, and smart, the kind of kid from someone else's family.
Adoptive father and mother are the most sturdy "paper skins" that Salo has encountered in his life. The adoptive mother Su is a person with a soft heart, able to break away from worldly interests, and a person with noble thoughts. Su said, when I was twelve years old, one day, my father was drinking, and I stood opposite him, looking at the golden wheat field, a brown child was running, at that moment, I felt happiness, and I too. Seeing my life, I have no choice. Su is not a superstition, but a kind of spiritual guidance. She also said that there are already enough children in this world, and one more child will not change, but adopting a child can make your world a better place. good. I said that it was an unwise choice for Sudo to adopt a defective child, but raising a child does not require so-called wise, and does not need to calculate the ups and downs of the future, but to use the energy of compassion for the world to support the child. , if Sue and John weren't such people, they wouldn't have raised Salo in the first place.
Blood is a kind of fate. You just happen to be a son and daughter, and you just happen to be the father and mother of a child. You get along day and night because of blood, and you accompany and care about each other. I remember that I watched a TV series a long time ago, and I forgot the content, but there are a few lines that I remember deeply, "Why is the lotus root broken, the silk is still connected, how many news about killing parents", blood is fate , but not all, the brilliance of human nature is that Salo is that warm paper skin.
Although the movie made me cry a lot, Salo's love for his family when he grew up was inexplicable. Laying impatiently, because seeing the crisp ears that he loved to eat as a child, Salo went crazy and went crazy to find that home. From then on, I didn't want to eat or drink, and the whole person was decadent and perverse, because after a heart-to-heart talk with his adoptive mother Su Lai, he miraculously found his home in India, which was too dramatic.
The perfect finale. Gudu's death has become a scar on Salo.
I had already finished what I wanted to say, but I thought of the transaction between Wei Yingluo and the queen in "Story of Yanxi Palace". Wei Yingluo said that children are the bottom line, and you can't hurt them. The queen asked, whose child? your child? Wei Yingluo said that all the children of the Forbidden City. When I write a public account recently, I always say that children are our future and our hope. This is the standard sentence pattern I can easily think of. But I want to say that children don't need to have their future or hope, but because children are born with a transparent white paper, innocent and playful, we must protect this beauty and let children Grow in a loving environment.
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