The main line is very clear, but compared to the original novel, many details have not yet been scrutinized, it seems that some wonderful fragments are too isolated, lacking richness and room for reflection. However, the adapted version has more or less such small regrets on the road of being loyal to the original.
The heroine with short hair looks more energetic, with Trinity's flexibility and decisiveness. However, the heroine's mental state cannot be fully conveyed to the audience. She has no immersive sense of stability in facing various cases along the way and her emotions with Four.
But the main line of the script, as a trilogy, should actually be filled with more elements, at least the continuation and reversal of the front part or the suspension and prelude to the ending song.
Whether the five categories are overlapping and comprehensive is up for debate, or is there too much comprehensive content to imply Yingyu's insertion.
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